Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Losing the Story - Just Part of the Job

free forest



"--I don't know much

And I'm not lying

But I think you just have to keep on trying

That's what's going to save me..." 

~New Year's Eve - First Aid Kit~

So much in writing is about getting lost. Not surprising really, since being lost is at the very heart of all exploration. And don't be fooled by the pajama pants, nerdy glasses and bookish temperament: writers are explorers of the most adventurous sort. A true writer's brain is the equivalent of any whip-cracking, sea sailing, earth tasting, moon-landing globe trekker there's ever been.

To tell a good story, you have to be willing to go places--or at least get there--by the most unique method possible. No matter your process of writing a story (pantser/plotter/etc.), I think that applies on some level.

After all, you're not likely to discover a new path by constantly treading the ones you know.  In that way, much of the storytelling journey is done by compass, not by map. There's a sense of direction, where you want to go, but not necessarily an exact idea of where you're at. And there's rarely one set path you're going to follow to get there.

Sounds exciting, right? (It is!) Here's the thing: If you've ever been truly lost--I'm talking no clue where you're at or where you're going but for your next step kind of lost--it can be scary as hell too.

"He stopped to look at me and said

'Child, don't fear doing things wrong'

Yet I am still afraid

But if anything

That's what's going to save me..."

~New Year's Eve - First Aid Kit~

Now you've stepped in it. You've done written yourself into the trees and the forest is lost to you. Like a hunting hound, you've chased that rabbit too far, too fast. There are brambles, tangled plots and meaningless landmarks/characters everywhere you turn. Those harmless shadows you raced by only moments before have somehow caught up. They've gathered round you to form an impenetrable wall of darkness.

You're lost. For real lost, not happy existential lost. You feel as though just a few more miscalculated steps in the wrong direction and the story might be gone for good. We've all been there. Personally, it happens to me once in every story I write.

It goes down something like this: 

1) Inspiration hits!

2) I write like mad!

3) A few chapters in, I realize I might actually have a story.

4) I continue to write. I jot down notes. I do some research. I sketch out an outline of what I think the story is going to be. A true skeleton is formed.

5) I keep writing. Putting flesh on the bones, giving a body to the head I created.

6) Then I get to the legs: Crap! I've only got one good leg. Crap! Now I've got 7 shaky legs. Crap! Now I have none...

7) Having nothing to stand on, I question why I started writing the story in the first place. I might even question why I wanted to WRTIE in the first place. The thrill of exploration is gone. I'm scared. I'm lost.

"--Gotta stop worrying about everything to the letter

And sometimes when it's too hard to get on

It just might be you that I'll come upon

But I find it hard to believe

But if anything

That's what's going to save me..."

~New Year's Eve - First Aid Kit~

I've read the writing advice many times (you probably have as well): YOU HAVE TO WRITE YOURSELF OUT OF A JAM. I think the point is this - Go ahead and plot, outline, burn candles, listen to music, go for a walk--do whatever stimulates your writing brain. But at the end of the day, words on paper is the trick that's going to get you out of the mess you're in.

It might take ten-thousand unused words or a dozen unsuccessful steps to get you back on the right path. Ultimately, you'll find your way if you just keep writing. When you're drafting a story, it's all too easy to get turned around once the trail is cold. You lose purpose, and a story with no purpose or direction isn't a story at all, just words. 

On those occasions, don't despair. Remember that getting a little lost is part of the process. There's a way out, even if you don't see it right away.

 ~EJW~ 

This post was inspired by a terrific new band I found over the weekend. Their name is First Aid Kit and the lyrics above are quoted from the song New Year's Eve (video and full lyrics below). I highly recommend their album 'The Lion's Roar'. They helped me get out of a story-related mire, and I thought they might be able to do the same for you. : )



NEW YEAR'S EVE - FIRST AID KIT - LION'S ROAR ALBUM


Well it's a new year
With it comes new hope and new fear
Met a young man who was in tears
He asked me what induces us to stay here
I said I don't know much
And I'm not lying
But I think you just have to keep on trying
And I know I am naïve
But if anything

That's what's going to save me
That's what's going to save me

Took a stroll around the neighborhood
Where the trees are swaying
People pass in cars with their windows down
With a pop song playing
A man walked by
Rocking back and forth the street
With a drunken smile to go along
He stopped to look at me and said
"Child, don't fear doing things wrong"
Yet I am still afraid
But if anything

That's what's going to save me
That's what's going to save me

Now I have a lot to learn and I'm starting tonight
Gotta stop looking at things like they're black and they're white
Gotta write more songs, love a little more, treat my friends better,
Gotta stop worrying about everything to the letter
And sometimes when it's too hard to get on
It just might be you that I'll come upon
But I find it hard to believe
But if anything

That's what's going to save
That's what's going to save me

Tell me tell me
Oh what's going to save me






A Stirring of the Soul

From me to you ... One of my favorite artist ... Tonight, do something you were meant to do.


Feel it falling off like clothing
Taste it rolling on your tongue
See the lights above you glowing
Oh and breathe them deep into your lungs

It was always simple
Not hidden hard
You've been pulling at the strings
Playing puppeteer for kings
And you've had enough

But the search ends here
Where the night is totally clear
And your heart is fierce
So now you finally know
That you control where you go..you can Steer

So hold this feeling like a newborn
Oh and freedom surging through your veins
You have opened up a new door
So bring on the wind, fire and rain


It was always simple
Not hidden hard
You've been playing at a game
Called Remembering Your Name
And you've stuffed it up


Ohh..
And now you finally know
That you control where you go..you can Steer


Cause you've been listening for answers
Oh but the city screams 
And all your dreams go unheard


Ohh..
Get out of the box
And step into the clear

Ohh.. 
So now you finally know you can.. Steer



~Missy Higgins~

No Limits, Please

Ever get tired of boxes?  I do!  Here's a tune for all of those who yearn to be set free to be anything and EVERYTHING they can be.



Hope you enjoyed Lenka!  (Her new album rocks, btw.)

Happy Sunday,

~EJW~

Sex, Drugs & Rock 'n Roll - What writers can learn from our cooler creative cousins

**UPDATE**  Wanted to mention that this post made the current edition (3/2/11) of Ed Bajek's Publishing News Twitter-zeen.  Ed features some really cool #publishing content, and I'd recommend following on Twitter.  You can check it out here.  (I'm under the #publishing section.)

It's Tuesday, the most useless of all days.   (Unless you count leap year ... LAME)  Fortunately, I'm not going to let the dregs of the week stop me from sharing a little of my brain with the helpless masses.  (That's you!)  You see, I'm afraid I've been thinking --A dangerous pastime, I know ...

If you immediately thought of Gaston from Beauty and the Beast, you win the Cool Award!

Writers tend to twist in the wind during the best of times.  Uncertainty, self-doubt and fear aren't negatives when you're a writer; it just means you're starting to take yourself seriously.  After all, if you aren't sharing your work, you're not VERY serious about it, and if you aren't the least bit nervous about letting other people read your writing then you're a machine.  And you know how we feel about machines around here ... THEY'RE GOING TO KILL US ALL!!!

Back on topic:  If you mix in a little industry turmoil and a few changes to 'The Path' to becoming a a so-called legitimate writer--well, let's just say I've seen headless chickens with more grace under fire.

I'm like so many other aspiring writers.   I want a solid footing for my dreams to launch from.  I need to know that I can not only reach the stars, but somehow stay in orbit once I'm up there.  Unfortunately, an already winding path has become mired in deep fog, and clearly seeing the destination is no longer possible.  In fact, just anticipating the next bend in the road has become a challenge.

Where will my chosen profession be in 5 years?  How about 1?  Will I be helped on my way by a professional, or will I do as so many are doing and make my own way?  Will I even have a choice?  Interestingly enough, I'm not even sure this kind of thinking is limited to aspiring writers.  I read so many blogs of longtime authors trying to resurrect their careers and find some sort of foothold in the morphing industry.

As a fan of history, I tend to look to the past when future answers are elusive.  While I'm certain the publishing industry hasn't ever quite faced a change like the current one, some of our artistic kin have.  I think we can look at the music industry, the art business and the movie industry for a few landmarks to indicate where this old trail is taking us.  Today I'll talk about the music business, and in coming posts I'll examine the other two.

MUSIC - The First Frontier ...

I was perusing a recent issue of Sound + Vision magazine (it's a mag for tech geeks and Audio/Video nerds--like me!), and stumbled across this excellent interview with Smashing Pumpkins singer, Billy Corgan.  If you aren't hip to the 90s grunge music scene, you should know 'the Pumpkins' were alternative music icons from the decade.  They had numerous hits and were prone to doing experimental rock albums in a time when it wasn't welcome.

You see, by the end of the 90s record companies were looking for radio-friendly pop (think 'NSync) and wanted bands to focus on creating 'sure thing' music that would inspire teens to purchase Compact Discs.  The myopic thinking was a result of this called the Internet, which was starting to catch on to the point that many people had it in their homes.  Some people were even choosing to consume their music digitally.  It was a turbulent financial time for the industry, and it simply wasn't prudent to take risks.

(Does any of that sound familiar?)

Fast forward 10 or so years.  The Pumpkins didn't make a lot of music in '00's.  Like many bands they lost members, weren't interested in shifting their musical sensibilities with the times and simply got old.  Corgan is now 43.  I guess your perspectives will change some from the age of 25 to 40.  At any rate, Corgan still wanted to make music, and with the social media boom started by MySpace, he saw an opportunity as so many musicians have.  It was a opportunity to go directly to the fans.

When asked about it by S+V interviewer Mike Mettler, Corgan responded, "You build your own world with your own rules.  And people will visit it, believe me."

How profound is that?  You carve out a spot, and do what you do.  The people that want what you're offering will find it, and those that don't won't.  The thing is, in the modern music business this is simply how things are done.  Are there record companies still around?  Sure, and they're still responsible for most of the music you hear on the radio.  But I have to ask: how many serious music listeners get their content from the radio as opposed to 10 or 15 years ago?  I'd wager not many.  Most of the music aficionados I know go directly to their music of choice via iTunes.  They listen to what they want, when they want, with their portable music players.  They rarely set foot in a store to browse for music, and instead rely on word of mouth and iTunes suggestions to find new music.

Don't get me wrong, the music business has definitely had its share of casualties in the transition from mainstream to global-stream (so to speak).  Major record companies have downsized, and obtaining their support as a musician is more competitive than ever.   The adjustment hasn't been easy for the artists, either.  Particularly when it comes to defining success.  It seems a big record deal and a multi-city tour are no longer the industry standard of success.  Or as Corgan states in the interview, "How do I ascertain success in the modern era?  I just feel it.  I have to feel it."   


So here's what I propose.  Let's learn from the music business.  As writers, perhaps we need to re-think our definitions of success.  Maybe success is more fluid than what we've known in the past.  For some, it will undoubtedly be the same; you'll be a success when you land that agent and see your book on a shelf.  For others, it might mean having 1,000 dedicated readers online who lap up every .99 cent offering they upload to Amazon.

While many have decried the Internet as depersonalizing, based upon what Corgan says in his interview, I think just the opposite has happened.  The Web has deeply personalized everything.   Artist no longer need to strive to reach everyone.  They simply need to reach their fans.    

In the end, maybe the path to publication isn't quite so clear, only because there are now several paths to choose from.

-EJW-