Interview: Historical Romance Author Melissa Maygrove

Hey, gang! Absolutely thrilled to share an interview I did recently with one of THE coolest writers on the block. Melissa Maygrove recently self-published her first book, Come Back. It's historical romance, and I was privileged to be able to beta read for M.

I say privileged, because Melissa is truly a wonderful writer, and she got me invested in a genre of story I normally wouldn't touch with a Texas-sized pole! 

How did she do it? How did she navigate the choppy indie waters on her own? Does she have tips for anyone else considering the plunge? Let's find out!

Interview: Come Back Author, Melissa Maygrove

EJ: We're about a month into the release of Come Back. This was your first publication, which you handled yourself. What are two things you wished you'd done differently going in? Two things you did right?

MM: I gave a detailed list in a guest post titled Woulda Shoulda Coulda, so I'll choose my top two glad-I-did's and regrets. First, the regrets.

I wish I...

Would have searched for stock images sooner. That was far more time consuming than I thought it would be--especially for a historical.

Would have learned more about the publishing industry sooner. I managed to find my way, but some of it was dumb luck.

I'm glad I... 

Hired out the graphics and formatting. It cost me a couple of extra shifts at work, but it was soooo worth it. 

Took time to learn the craft before putting my work out there. We can't and won't please everyone, but we don't get a second chance to make a first impression.

EJ: You sold me on Come Back as a beta reader, and I'm not remotely your target audience. (It being Historical Romance, and me being the reader of all things NOT Historical Romance.) What's the secret ingredient to telling an accessible story that will appeal to fans across genres?

MM: I'm not really sure, but betas have told me that about all three MSs (Come Back is my third). I guess it's because at the heart of the story are people wanting to be loved and accepted, and them struggling to find safety and happiness. That's something we all can relate to. 

EJ: I know you labored over which publishing path best suited you for a while. Was self-publishing everything you thought it would be? What would you say to another writer trying to make a similar decision?

MM: Re: publishing path... Yes, I did. Though, when I was honest with myself, I knew deep down indie was the way for me.

Was it everything I thought it would be? For the most part, yes. Some things were more difficult than I'd anticipated, but others were easier.

My advice to other writers: Spend plenty of time in the writing world before you even THINK about making a decision. Don't be in a hurry to self-publish and don't be in a rush to query either. Be a fly on the wall and watch and listen. Get your work critiqued by writers who are more experienced than you, then don your rhino skin and LISTEN to what they have to say. Be open and teachable. Keep learning and practicing until you're sure you're ready.

It doesn't matter which publishing path you choose if you jump the gun and put an inferior product out there. Rejection hurts, no matter whether it comes from publishers or readers.

EJ: Like many of us, I know you want to tell many different types of stories. (Paranormal, historical, etc.) However, I saw on your blog that you're committing to writing more in the historical romance genre to meet fan expectations. How important do you think establishing a brand or identity is to a beginning author trying to grow and maintain a fan base, and would you view it differently if you hadn't had as much initial success?

MM: The quick and unexpected success of Come Back had a big impact on my choice of genre for the next book. As I said in the post you mentioned, I'd been so busy with all the tasks of editing and publishing, I hadn't given enough thought to how the genre of my debut would brand me. 

Had my debut fizzled like a firework dud, I doubt it would matter what I wrote next. As it is, I have fans begging me for another book. So, yes, I would advise authors to consider carefully what genre they choose for their debut.

EJ: As always, here are the most important questions: Where do we find out more about you and get our hands on Come Back?

ABOUT COME BACK

Sometimes a single choice alters the course of a person's life forever.

Left behind by everyone she loves...
Rebecca Garvey had the promise of a California future dreams are made of, until the wagon train her family was traveling with left her behind. Now she’s slowly dying in the wilderness, abandoned and stripped of her self-worth. Once the shock of her desertion turns to embittered despair, she doesn’t want to be found. Then a handsome stranger challenges her convictions and changes her mind. 

Headed for Texas, chased by the demons of his past...
Seth Emerson knows exactly what he wants. Working to save for a cattle ranch of his own keeps him busy and keeps his pain buried. Rescuing a stubborn woman from the hills of New Mexico Territory isn’t part of his plan—but she’s exactly what he needs. 

Making greater sacrifices than either of them could foresee...
Seth and Rebecca set off on a risky journey and a quest for truth, each healing the other’s love-starved soul along the way. Will they give in to their growing attraction? Or will they honor their commitments when Seth returns Rebecca to civilization... and her betrothed?

Where to buy Come Back:

Amazon / Kindle / Barnes & Noble / Nook / Kobo 

Come Back on Goodreads.

ABOUT MELISSA

Native Texan Melissa Maygrove is a wife, mother, nurse, freelance editor, and romance writer. When she's not busy caring for her tiny nursery patients or shuttling teenagers back and forth to after-school activities, she's hunched over her laptop, complicating the lives of her imaginary friends and playing matchmaker. Melissa loves books with unpretentious characters and unforgettable romance, and she strives to create those same kinds of stories for her readers.

Where to find Melissa:

Website / Blog / Twitter @MelissaMaygrove / Facebook / Google+/ Goodreads

For autographs, I use Authorgraph.

How I Found The Write Path

Hey, gang! What if we could write a letter to our past selves and share the wisdom we've learned along the long, bumpy writer's road?

Or, like in my case, just say: 

"Never attempt a story in second person omniscient with multiple POVs and a sentient, singing goat... 

SERIOUSLY, PAST E.J., FOR THE LOVE OF BETA READERS EVERYWHERE, NEVER DO THAT! IF YOU DO, I'LL FUTURE-SLAP YOUR ASS BACK TO THE WOMB AND HOPE OUR EAR CANALS--AND SOME SELF-PRESERVATION INSTINCT--ACTUALLY DEVELOP THIS TIME!"

Just kidding, I've never tried that. (Although, the goat isn't a bad idea...) But I've certainly done my share of stupid things as I've crawled along one writing path after another. So naturally, the How I Found The Write Path blogfest was too good for me to pass up. 

Here's the mission:

Please write a letter/note to yourself when you first started writing toward publication. The only thing I ask is that you keep it under 800 words, including as many (or as few) of these elements as you like:

- A lesson you learned the hard way
- Something you didn’t expect about the industry (positive/negative)
- A writing-related resource you could never do without now
- One thing you’d change about your journey
- One thing you’re glad you did
- Your number one tip for pursuing publication
- Anything else you feel is worth passing on

The blogfest is the brain child of Carrie Butler & P.K. Hrezo, and they plan on compiling all of this wisdom into a free eBook resource for growing writers. 

Since this is for a good cause, AND it might actually see print, I'll try not to screw past me up too much. But I'm definitely going to give me a hard time, because I know I'll appreciate that. :)

HOW I FOUND THE WRITE PATH

TO: Past E.J. Wesley, Future author of the Moonsongs series

FROM: Future E.J. Wesley, Author of the Moonsongs series

CC: All of writerdom

Dear Past E.J.,

You're probably tripping out right now, but yes, you will actually publish something. Oh, and there'll be technology that will allow me to communicate with you and share wisdom and warnings from the future! 

Whatever you do, do NOT take the bus on April 24, 2004. You'll get the last seat, forcing another man to wait for the next bus. He's a scientist, and you just caused him to miss a very important meeting. Furious, he'll set off a chain of events eventually leading to the melting of the polar icecap and the end of the world! 

*waits for mind to explode and reassemble*

Calm down, I'm messing with you. 

God, were we really that uptight and gullible? 

I'm only here long enough to offer you a few words of writerly wisdom. Other than that, you're basically on your own. 

Well, not completely alone. You're going to bump into a lot of writers along the way to that first publication. They're determined, vulnerable, creative, fun--basically, they're everything you're going to need to be to reach your goals. 

These writing friends will carry you when you think you can't move forward, push you when you're too afraid to make the next jump, and be the first to cheer when you do cross the finish line. Get to know as many of them as you can, and always be willing to help them along in return.

You're just getting started. I know it's hard to see anything beyond the mountain you're staring up at, but there's karma involved in this writing business. The energy you put in, both positive and negative, always come back to you. So strive to be a force of positive energy in the writing community.

In fact, we'll call that one of Future E.J.'s writing proverbs. Let me share a few more with you:

• You'll never be as talented of a writer as you want to be. That's a good thing.

• Quit worrying and write.

• Quit researching agents and write.

• Quit blogging so much and write.

• Quit eating so much red meat (seriously, you don't want to know what our cholesterol is going to look like at 32) and write.

(You're getting the idea by now--just write.)

• Throw away word counts and tell the story.

• Slow, fast, pantser, plotter--who cares, tell the story.

• Finding your voice requires listening to feedback. 

• Focus on what your critique partners are saying you're doing right instead of fretting over things you're doing wrong.

• Fixing mistakes isn't nearly as important to your writing development as accentuating what you do well.

• Using first person POV is a good way to let your personality shine through your writing. If you get stuck trying to write like J.K. Rowling or Stephen King, give it a shot. (PRO TIP: You're never going to be J.K. Rowling or Stephen King ... also a good thing.)

• Until you've identified what's right and wrong with a story, it--and you--will never be as good as they can be. So embrace feedback, don't fear it.

• The real work of writing is in revisions. It's also the dividing line between authors and writers. You won't crossover until you learn to put just as much (or more) effort into perfecting the story as you did creating it.

• Stories aren't babies. They don't come out of your brain fully developed and beautiful, and you aren't obligated to love them just as they are. 

• If you insist on calling a story your baby, then be a cruel parent. Judge them harshly, discipline them regularly, and never let them cut corners.

• The first thing you write that makes you wonder if others will think you're insane, evil, or suicidal for coming up with will likely be the best thing you've written. Do it again and again.

• If your rational brain thinks something you've written is funny, sexy, scary, or intense you're likely not going deep enough. When you start coming up with things you couldn't even imagine, you're onto something.

• Nothing is a waste of your time so long as you turn it into fuel for your writing. And in writing, everything can be used for fuel.

• Writer's block is just another expression for procrastination. Simply choose not to do it. 

(And--you guessed it--keep writing.)

• The only truly unworthy story is the one that goes unwritten. So write them all. Once the words are out of your head, you've succeeded in furthering your craft and ability if nothing else.

• A writing career isn't what you think it is. It's better. All of the limitations you think you have, all of the barriers you imagine in front of you, and all of the failures you believe you've had will be stepping stones on a journey to always greater things. You'll only fail if you quit going.

Well, that should be enough to get you started. There are plenty of non-writing lessons you'll learn along the way, like understanding that nothing in the publishing industry is certain. And to never trust anyone who says there's only one way to do something. 

Those things, however, are always secondary to the writing. The words must always come first, and so long as you remember that you're going to be very proud of me ... I mean you. Us. We? Oh hell, just keep writing.

Sincerely, 

Future E.J.

---------

Credit:

E.J. Wesley, author of the Moonsongs series

http://www.ejwesley.com

"I give permission for my entry to be included in the e-book compilation without royalties and/or separate compensation."

-----------

ONE NON-BLOGFEST THING OF NOTE: We're having Susan K. Quinn on New Adult Lit Chat tonight (Thursday, 9 PM E) if you'd care to listen in to what Sue has to say about jumpstarting your writing career, you can tune in here. Also, if you'd like to submit a question for Susan to answer on air, and enter for a chance to win a copy of her book 'The Indie Author Survival Guide' or a free consultation with her, fill out this form: 

Not Dead Yet ... And Book Launch FYI

Hey, gang! Loooooonnnnnggggg time, no blog. :) So, I took most of A-Z month off, because--well, everyone was busy and I wasn't participating. Great time to disappear, right?

PLUS, I've got this novel I'm trying to get out in August. The final revisions are going great, just slowly. It'll be my first full-length novel, so I'm trying to really get it JUST right. (Cue the thieving blonde tramp and the hungry bears! Seriously, who steals food from bears anyway?!)

I'm also working on new Moonsongs stuff. (A spinoff short story for one of my characters, Marshal, is coming soon!) And I've also been busy over at New Adult Alley. We recently decided to divide an conquer, and I'm now working mostly on the website side of our operation  You can sign up for our fantastic newsletter HERE if you're dying to have me show up in your inbox on occasion. :)

Then, there has been a lot of travel lately. We attended a wedding in South Carolina last week, and were away for a week prior to that for a vacation trip up the northern coast of California. 

Here are some pics from those trips:

This guy was hanging out on the golf course near where we stayed in South Carolina!

I spotted him while riding a bicycle around the island.

This pooch had epic drool issues! LOL He was cursing around Charleston, SC.

Charleston scenery.

More Charleston scenery.

More Charleston scenery.

View from our No Cal hotel room! 

There's a bird standing on top of the rock. :)

The seals had their pups out sunning with them. :)

My wife taking in the view on our bike ride. :)

We took a train ride through one of the redwood forests.

Sunlight through the trees.

At the feet of giants. :)

The trees were so tall I couldn't get far enough away to photo an entire one, so I improvised, and shot looking up from the base. :)

All together, I kind of just lost track of the blog. But I'm back now. :) 

Speaking of blogs, I bumped into one of my favorite author-bloggers (Eve of The Desert Rocks & Intangible Hearts blogs) at our New Adult Lit Chat last night, and it made me realize how much I missed y'all!

So what's coming in this blog space? Details on great new releases and covers from my author friends, more of my thoughts on this writing adventure we're on, and I'll be incorporating a lot more of what we're doing over at NA Lit Chat (#NALitChat on the Twitters). 

I've been remiss sharing all of my work over there, here. But so much of what we talk about can be applied to all kinds of writing and authors--not just New Adult--so I want to include y'all in that as much as possible from here on out.

Specifically, I wanted to pass along the transcripts from our chat last night. We had a couple of fantastic authors on as guests (Lynn Rush & Nazarea Andrews) to talk about book launches and share their tips & tactics. 

Be sure to keep a pen and paper handy as you listen along (and read tweets), because there are a lot of useful things you'll want to stash away.

AUDIO

TWEETS

You can keep up with everything we've got cooking at the chats HERE. 

Hope you've all been doing great, and I'm looking forward to reconnecting. Have a great weekend!

~EJW~

Should We Aim to Write Above the Reading Standard?

Hey, gang! Since we last met here I finished up a novel I've been working on for a while. *throws ALL the confetti*  Well, I say "finished", but it actually just got shipped off to the editor.  (We all know the real work comes once she takes the scalpel to it. :)

It's such a weird mixture of relief and angst when it's out of my hands. But the positive is that I'm now able to reclaim the parts of my life I've been neglecting in order to make my deadline. Like blogging! 

(Thank you all for the comments on my last post btw. My wife was duly humbled by your kind words, and I'm slowly working my way around repay each of you with a comment in kind.)

Should We Aim to Write Above the Reading Standard?

I posted a couple of weeks ago about the somewhat fallible notion of "good writing". I related it to the subjective line between a good house and a good home, saying, "The worth of a house is based upon function, form, location, etc. The worth of a home is based upon memories and feelings. Your house might be worth $150,000, but your home might very well be priceless. "

(Note: I don't quote myself out of hubris. It had just been so long ago since I'd posted that I had to go look it up to remember what I said. LOL)

Anyway, in that post I made a couple of offhanded references about the basic mechanics of "good writing", specifically calling out adverb spamming as a common stumbling block. 

Well, you fine people took me to task in the comments (and in e-mails), pointing out that the presence of an adverb will not destroy a story. I actually agreed with you in the post, but didn't articulate it very well.

So I'm afraid I gave the wrong impression. To the extent they aren't related to style, I view things like adverbs, passive phrasing, repetitive word choices, etc. like mosquitos in our writing: They are inevitable, but we should kill as many of them as we can because they are at best a nuisance, and at worst a disease spreading menace. 

Purely from a fundamentals standpoint, I've never read a perfect novel and I doubt I ever will. (God knows I'll never write one...) Furthermore, I can guarantee that a grammatically pristine read does not universally translate to a "good read". 

But all of that being said, I had more than one person let me know of various bestselling books they've read recently that are riddled with things deemed to be mistakes or sloppy writing. They use adverbs in every other line, begin every third sentence with 'it', etc. 

I've read them, too. And it's true that many of the foibles we fuss over in our critique circles the average reader could care less about. At least there's plenty of evidence to suggest that's the case.

But does that mean we shouldn't worry over them, either?

Not unlike other artists, I believe most writers hold their work to a higher standard than the general expectation. For most, there is a reading standard and a writing standard. Even though an average reader might not demand a certain level of word wielding acumen , we're going to try to achieve that anyway.

Claude Monet, the great French impressionist, once destroyed dozens of his (what would now be considered near-priceless) paintings because he didn't think they were fit for public viewing. Granted, he was going blind and severely depressed at the time, but there was clearly some level of motivation in him to achieve a standard that most people wouldn't even be able to discern. 

Similarly, when I read Hugely Popular Novel X, and it isn't the most polished, it doesn't make me relax. I don't suddenly think, "Well, I don't have to worry about getting any better, because I'm already better than that guy, and the readers love him!"

It keeps me up at night. I worry about falling into a sense of complacency with my craft. My insides fester with the notion that yes, I'm getting some good reviews, but is my work really living up to my own standards? 

That's not to say my writing sets some crazy high bar for writers everywhere. (ha) But I do work at trying to get better each time.

We live in an age--a beautiful age in my opinion--where authors are able to make their own decisions about when a work is fit for public consumption. But that freedom also comes with the burden of self-restraint.

We are truly the stewards of our craft, or at least more so than any generation of writers that has come before, and I believe we ought to struggle with that. 

What about you? Are your reading and writing standards different? Have you read a successful novel that wouldn't live up to your own writing standards? How did it make you feel?

~EJW~

IWSG - New Year, Same Old Fears

Hey, gang! Thanks for all the "feel betters". This cold-crud hasn't licked me yet. I am a little sleep deprived though--and perhaps a little medicated--so I make no guarantees that this is going to be entirely coherent. But it should be fun! :)

It's time for another Insecure Writer's Support Group post. What's up with the IWSG? In short, once a month a bunch of us post support, encouragement, or confess what's been eating at us. For more information, and to join in, click the button below. (And always present in the rolling sidebar gadget to the right.)

Before we get to that, I wanted to mention again that my Winter Thrills & Chills Tour is going strong. You can check the full list of stops HERE. (Today, I did guest posts on why I write like a reader and an author's tricks for pulling readers into the story--with an excerpt from Dragon's Game.)

There's also a fun giveaway you can enter (featuring books from several of our writing blog friends). Plus, the Moonsongs Anthology 1 (collecting the first 3 stories in the series) will be free on Amazon tomorrow and Friday (1/9 & 1/10). 

So if you haven't picked one up, or maybe haven't gotten around to books 2 or 3, you can do so on me. :)

IWSG New Year, Same Old Fears

h

ttp://www.insecurewriterssupportgroup.com

Confession: This started out as an "anti-resolution" post where I was going to list all of the things that could hold me back from accomplishing my writing goals this year, both real and imagined.

(FYI: That would've been a lengthy post.)

But as I was jotting things down, it occurred to me that it's the same damned list I had last year. And the year before. And probably the 5 years before that. (By my recent reckoning, I've been chasing my fiction writing tail for roughly 7 years.)

Here's the thing, I'm not even remotely in same place as a writer as I was 7 years ago. I should have new fears, new demons to scare away, and new hurdles to trip over. 

Do I? Nope. I'm the Bill Murray in Groundhog's Day of writing.

Still worried that someone I admire is going to declare me a hack and I'll have to pack it in. 

Still scared to share my writing with strangers. 

Still hate telling people outside of the Internet I'm a writer. 

Still conflicted by the balance of creativity and mass appeal you seemingly have to find to be a successful in the book business.

Still not sure I have a real place in this group. (Did I just make my own place? Is that cool?)

Still worried I'm not doing enough to reach my goals.

Still terrified I won't EVER be doing enough to reach my goals.

Still come up woefully short when I compare myself to my contemporaries. 

Still don't really know what I'm doing on social media.

Still afraid my ideas are boring, my writing unoriginal, and my characters unmoving.

On, and on, and on, and on, and on it goes...

BUT I'M TELLING YOU IT'S THE SAME. Swap the words around, adjust my perspectives a hair, toss in a pinch of refuting validation, sure. But it's still the same soupy mess I try to wade through every year.

That's why the lesson here is so important. And it's one of those Dr. Seuss, so-simple-it-blows-your-mind kinds of lessons. Ready for it? Here goes!

It doesn't matter. None of it. Not an ounce.

This stuff didn't stop me 7 years ago, nor has it stopped me any year since. Which isn't to say the fears aren't real, and that I don't have to struggle with them. It just means I can go into the scrap with a little confidence. 

It's like being the cartoon super heroes I loved to watch as a kid. I'll face stiff odds every time, but somehow, I'll come out on top. The story doesn't work any other way. No exceptions, the hero wins.

So I'd encourage you to really pause when you feel like you're facing something that's threatening to derail your writing train. Understand that many times you're going to have variations of the same obstacles for as long as you're moving forward with this gig.

You'll deal with the trouble and keep moving. After all, you've probably beat this thing before, and you'll most certainly do it again. 

~EJW~

IWSG - A Casual Affair

Hey, gang! Hope those of you who celebrated turkey and togetherness last week did so in grand fashion. It's time to for another Insecure Writer's Support Group post (IWSG). 

What is IWSG? Besides being a collection of awesome people, it's THE support network for writers. We offer each other encouragement and commiseration on the first Wednesday of each month. Click the pic below for more details and to learn how to join.

A fling… 

A flirt… 

A dalliance… 

A romp… 

A cup of devilishly unusual tea in a strange café I'll never set foot in again…

Sometimes writing a story is all of those things to me. It's like a pair of expensive shoes so impractical I'll only be able to wear them once, with a specific shirt, and then put them back in the box forever. It's one night spent in the company of a beautiful stranger, no names or phone numbers exchanged.

I firmly believe writing CAN be a casual affair. Thing is, it took me a while to work up to being able to accept that. 

See, I've been something of a serial monogamist when it comes to my writing. For the most part, I'm a Plain Jane, stick-in-the-mud, write-what-I-love kind of writer. 

I like fantasy. The impossible excites me. Thinking about dark things that shouldn't exist frightens me--in a terribly good way. The story is a-rocking when fantastical things come a-knocking so to speak.

I like feisty characters who crack the quip-whip with reckless abandon. (Don't stand too close! She'll snap you!) Bold is usually the first--and main--ingredient in my protagonist soup.

So what happens when I start writing a contemporary story with a main character who is more contemplative than combative? A story where I can't toss in an explosion or fangs when things start to drag?

*breathes heavily into paper sack*

I get a little nervous. The itchy, twitchy shakes set in. If I'm being completely honest, it feels a little like I'm stepping out on my main gal. No, it goes deeper than that. At times it feels more like I'm betraying my very writing nature.

But it's damned fun! Like a kid playing dress up, I get to be something I'm not. I get to be a writer of "serious fiction" (well, not SO serious--War And Peace this is not). In that way it is fantasy I suppose. 

Perhaps the most important aspect of playing in the shadows of my comfort zone is that it has forced me to grow as a writer. Nothing about writing this contemporary story has come easily for me. There's no writing from the cuff. It's a blissful struggle most days. 

And like all meaningful workouts, it sometimes leaves me sore and questioning if I'm fit enough to pull it off. Then I'll re-read a few pages. 

I'll see that I'm letting characters express themselves in ways I've never done before. A good scene will jump out, and I'll think, "I could never have done this in fantasy!" 

I'll find a few nuggets of sparkling brilliance in a mine full of dark rocks. My confidence spikes (a little LOL) and I get back to digging, because I know I might just hit the mother load if I keep at it.

Will I consider myself a master of contemporary fiction when I'm done? Will anyone else? Not likely. But I will have had one heck of a good time doing it. Who knows, maybe I'll even try another one.

What about you? Have you written anything outside of your usual genre or category lately? How did it turn out? Would you do it again?

~EJW~ 

Writing With Voice: What's Your 'Thing'? Do You Need One?

Hey, gang! Hope this post finds you all doing well and, especially if you're of the NaNoWriMo kind, pushing toward your goals. :)

One thing I always try to stay aware of as I revise a story is voice. (I know, my hackles rise a bit when that word gets mentioned, too … but stay with me!) I want to figure out what's going to take it from being A story to being MY story as it were. 

This is at least partially because I'm writing urban fantasy, and there are lots (and lots, and lots more) of stories about vampires, werewolves, etc. these days, and I want my work to stand out in some small way.

Now, I was just as confused as everyone else when I first began trying to figure out what voice was all about. I'd read all of these articles, books, and interviews from various-amazing-authors that seemed to give it an almost spiritual quality. 

Apparently, voice was this ethereal ball of gas floating in the subconscious writing portion of our brains that couldn't be contained, only harnessed. And only the wisest and most determined writers would be able to master it.

Yeah, I felt totally screwed. I'm not the wisest writer (by a wide, Grand Canyon-esque margin I'm afraid), and writing--for the most part--for me isn't a very spiritual process. 

When I'm writing, I tend to swear at my computer, drink ridiculous amounts caffeine bang my head on tables, stare at ceilings, curse my dull brain--well, let's just say it isn't all that Zen-like. 

I'm more of a construction foreman for a highly-emotional, chaotic, and never-ending road project than a high priest quietly orchestrating a beautiful religious ceremony.

But I am determined, so something had to give, right?

What I learned was this: Voice isn't abstract, or at least the components that make it up aren't. In fact, it's the furthest thing from it! Is it hard to apply? Yes … mostly … well, just more tedious until you get the hang of it I suppose.

Voice is your personal flavor. It's your spice of choice. Just like how you take your coffee (or iced tea in the South), voice says, "That one is mine."

But it shouldn't be confused with just being description, which is something I did early on. My thought was, "I'm the only person who can describe a sunset the way I see it, so that has to be what will make my writing unique." 

That was only part of the formula. The rest of it includes pacing, dialogue, action/reaction, humor, plot choices, and pretty much everything else that goes into a story. 

Ultimately, how you apply all of that results in your voice, or your "thing". And that's where the discussion gets a little philosophical in my opinion, because that "thing" is pretty much open for interpretation. 

What I think is clever, you might find trite. What scares me, won't necessarily keep you up at night. But when a writer has a thing, we know it--even if we can't agree on what it is, and maybe even if we don't like it.

Think about some of the great "voice" authors out there. Here are examples from a few of my favorites. These are completely random finds from books sitting on my shelf. I'm not looking for a specific paragraph. See if you can guess the authors based on the excerpt:

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"I worried about it for a moment as I held the bottle by the neck, but I wanted to trust her, and so I did. I took a minor sip, and as soon as I swallowed, I felt my body rejecting the stinging syrup of it. It washed back up my esophagus, but I swallowed hard, and there, yes, I did it. I was drinking on campus."

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If you're a fan of his, you probably immediately recognized John Green's handiwork in Looking For Alaska. 

Components that make up his voice: Long, protracted sentences. (He doesn't get super-clippy unless it's dialogue.) A very mature and pragmatic character perspective (for YA … "I did it. I was drinking on campus."). Using a big, and probably anatomically correct, word like "esophagus" instead of the simpler "throat".

Here's another!

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"He could be as quiet as a Viet Cong guerrilla creeping through the bush, but her ears had gotten attuned to him over the last three weeks, and tonight, as a bonus, there was a moon. She heard a faint scrape and clatter of gravel, and she knew where he was going. Ignoring her aches, she followed. It was a quarter after ten."

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This one is a little trickier, but Stephen King (The Stand) can create tension like no other. 

Components that make up his voice: Non-lavish, but highly evocative descriptors ("quiet as a Viet Cong", "a moon"). Also, how little he gives the reader in terms of perspective and motivation, yet still manages to convey direction and purpose in the scene. ("she knew where he was going", "It was a quarter after ten.")

Last one--this one has a giveaway if you're a fan, but it's a great example nonetheless.

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"I'd made a vampire cry. Great. I felt like a real superhero. Harry Dresden, breaker of monsters' hearts."

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Jim Butcher (Storm Front, Dresden Files Book One) is a real case study for anyone looking for examples of voice in first person storytelling. 

Components that make up his voice: You could take almost any paragraph from one of his books and find the same sarcasm and gloomy humor woven throughout.

As I said earlier, and the examples hopefully illustrate, voice isn't an abstract concept. By evaluating things like word choice (are you the type of writer who uses throat instead of esophagus?), description, and tone you can force voice into your work. 

But here's the (another?) thing: There are many talented authors and great stories out there that don't have a strong voice. In fact, I'd argue that many genres of fiction rely heavily on the author NOT pushing their own style overboard. 

Much of the science fiction and fantasy I read is intentionally left bland, forcing the reader to put their own personality into play. There are risks involved with such storytelling, because it can lead to undefined and uninteresting characters. But when the focus is on the world and sociology, I don't believe it's always wrong to let the reader paint the canvas you've given them.

Two of my favorite authors in those genres, Tolkien and Orson Scott Card, aren't overly ham-handed with their style. They simply tell a good story. 

So that leaves me with a bunch of questions: How important is voice? Do we need to have a definitive writing style, or is telling a good story enough? How important is it to readers? 

~EJW~

IWSG - NaNoWriMo Edition - Easy Ways To Get More Writing Time

Hey, gang! Time for another Insecure Writer's Support Group post! What is IWSG? A collection of awesome writers who get together once a month to share our vulnerabilities and encouragement. You can learn all about it (and sign yourself up) by clicking the image below.

Carving out writing time--and not folding laundry, feeding kids, playing with dogs, catching up on Walking Dead, going to work, showering, etc., etc.--can be tricky. Why? Because not everyone sees it as such an essential activity as we writers do.

This gets particularly tricky if you're doing National Novel Writing Month (NaNoWriMo) types of things, because you're not just ducking out for a quick nip with the keyboard every now and again, but doing the equivalent of a month-long Rocky training montage with your WIP. 

So what's a writer to do? Well never fear, cause ol' E.J. is here to help you out. The next time you need to write and someone tries to stop you, just respond with one of the following--

A world needs saving, and I'm only a quarter of the way into figuring out how it's going to happen.

I have leprosy from 8-10 PM every day.

There are monsters in our (insert writing spot here), and it's going to take a few thousand words to flush them out.

I can't wear pants or remove this clown mask until I reach my word count. However, I'm happy to do whatever it is you need me to do sans pants, clown-mask-on until then.

Our computer was taken over by a gang of vicious cyber-terrorist, and if I don't write they're going to share (insert embarrassing photo memory here) on Facebook.

There are two versions of me: Writing me and pissed-off-bat-crap-crazy-homicidal-depressed-hates-puppies-never-cooks-slaps-babies-sets-fire-to-ALL-the-things me. Which do you prefer?

I'm Facebook chatting with your (insert most annoying family member here) so she won't call. This could take a while. Would you like me to tell her to call you instead?

I've agreed to donate $1 of your money to the local animal shelter for every word I fall short on my goal. Between dirty diapers, work, and getting our eldest child's foot sewn back on, I'm probably going to need around $45,000. Or they've agreed to let us adopt this abandoned litter of 13 very cute--but very feral--kittens instead (show ANY picture of numerous kittens running amok). OR I could TOTALLY just write some more.

This year's NaNoWriMo prize is the producers of Lost will finally tell us what the last episode meant.

This year's NaNoWriMo prize is Miley Cyrus will no longer stick her tongue out. 

I'm working on math story problems--want to help?

You ever read (insert WIP title here)? No? Really? (pull out tuft of your own hair and set it on fire) IT'S BECAUSE I HAVEN'T FINISHED WRITING THE DAMN THING!

You ever read (insert obscure book title here)? No? Really? Let me tell you about it: There's this writer who is frustrated because she never has time to write. So she decides to start acting out her stories instead. It's great, you should read it. But I really need to get back to writing my story. It's about a wife/mom/sister/friend who does horrible things to people's food. Or I could make you a sandwich and we can keep chatting.

Are you NaNoWriMo-ing this year? If so, are you on track to meet your goal? If no, what are you working on? In either case, hope this bit of fun helps brighten your day and keeps you going. :)

~EJW~

IWSG - 10 Tips For The Beginning Writer... A Mostly Serious List

Hey, gang! Time for another Insecure Writer's Support Group (IWSG) post... or as I like to call it, the We're A Hot Mess And Damned Proud Of It Support Group. (Can't really blame Alex--founder of IWSG--for not calling it the WAHMADPOISG, can we.)

Actually, the group is more about encouraging other writers by confessing our insecurities, talking about how we overcome them, and generally keeping it real. 

This month marks the two year anniversary of the IWSG, and I'm really proud to be a part of this group. For more info on the IWSG, and to learn how you can take part, click THIS.

IWSG - 10 Tips For The Beginning Writer... A Mostly Serious List

As noted, this list is only mostly serious. Like being "mostly dead", mostly serious mean it might also be partially silly and inapplicable to anyone but me.



Let's get started!

1. Being a good reader is a very important part of being a good writer.

2. Being a good reader does NOT make you a good writer.

3. You should write about what you know... then twist the hell out of it until you're convinced you know nothing about it anymore--after all, that's how most of your readers will enter into the deal.

4. Write the craziest, bravest, most devious, and over-the-top characters you can dream up. Then make them crazier, braver, even more devious, and so over-the-top your grandmother will blush at their brazenness. That's when they become unforgettable.

5. No one is ever going to give you a letter grade, stamp of approval, keys to a magical 'For Writers Only' grotto in the Alps, or any other kind confirmation that you are indeed a writer. So just think of yourself as one as soon as you type that first sentence and get on with being one.

6. Write like you have millions of fans dying to read your next story, even when you're pretty sure your dog is the only one who cares when it's done--and that's just because you'll finally take her for a walk. It'll keep you writing through the inevitable 'dark' days. 

7.  Dark days will come when you feel like you're no better a writer than you were when you started (insert number) years ago, and that you're no closer to your goals than when you hadn't started at all. It's best to embrace them, and eat a buttload of chocolate, go for a run, shop, sulk, piddle on the Internet, consider a career as grizzly bear tamer because it would be less emotionally dangerous or do whatever it is you do to cope with crappy days. 

Then, when you have a little perspective, go find a mirror, look into it, and say, "I'm a writer. Being a writer means I'm going to suck some days. It's just part of the job." Now go back to the chair and do the other parts.

8. The more you think of writing as a very cool, very necessary  and very difficult task or job that needs doing--and doing well--the easier this will be for you. Writing is not magic. Becoming a good writer does not require an altered state of being, a muse, Da Vinci-esque levels of creativity, or unicorn-horn dust. 

It DOES require patience, an inquisitive nature, being humble as it relates to your own ability, having an appreciation for getting most everything wrong before you can get it right, a dogged determination, and being willing to learn at an almost constant rate. 

9. Don't try to write like anyone else, and when you discover you are (and you will), figure out how and change it up a little so people say, "ooh, this reminds me of XYZ... but different!" Also known as the Colonel's secret recipe for voice.

10. Writing is a paradox in that it's a solitary task that can't be done alone. So make friends with other writers as quickly and as often as you can. They get you, they get this writing thing like no one else does, and they'll likely be your first and dearest fans. That's why groups like the IWSG are so important. 

What about you? Any tips  you wish someone had given you before you started your writing pursuit? 

~EJW~

Tweetables

"Being a writer means I'm going to suck some days. It's just part of the job." Click to tweet.

"write about what you know... then twist the hell out of it until you know nothing about it anymore" Click to Tweet.

"Writing is a paradox in that it's a solitary task that can't be done alone." Click to tweet.