Showing posts with label #epub. Show all posts
Showing posts with label #epub. Show all posts

Modern Author Problems: Solving For ne-X-t

Hey gang! First, I'll applaud all of you writer-types who overcame your math phobias to click on this link. Confession: I kind of threw up in my mouth a little just typing it. I'm better now...

If you're one of those sick people who gets a kick out of math jokes--we're watching you. Closely.

Anyway, this post isn't about math at all. So feel free to relax and put the calculators away.


Solving For ne-X-t

"STORY PROBLEMS RULE!" Mathletes in the wild.
Photo curtesy of Lisa L. Wiedmeier, WANA Commons

Be you an Indie, traditional, big press, small press, or no press author, there's a modern dilemma you should be wrestling with: 

What am I going to try to publish next?

Not that the authors of yesteryear weren't concerned with their next projects. I think most of us struggle to keep the idea bunnies out of our mental gardens long enough to harvest the current crop/story before the little varmints can devour it. But I'm not talking about the artistic desire to start something new. This a practical matter created by changes in the publishing industry, but we'll get to that in a second.

First, some semantics before we begin. You'll notice I said 'should'. That's because I believe forward thinking is an essential part of the author formula nowadays. (Okay, I said this wasn't about math, but you have to allow me a few math terms--it's what makes the title of the post clever!) 

You might also notice I said 'publish', not write. I make that distinction, because if you're in the business of writing as a business (see what I did there), I believe publication is the ultimate goal.

If you're writing just to write, and maybe get published--maybe not--this post might not be strictly relevant to you. However, I think most published authors will tell you that once that ball starts-a-rollin, she doesn't slow down easily. 

Plus, when even a few readers (who aren't your mother or aunt) suggest they want to read more of your work, trust me when I say it's like freaking writer-nip. You'll go to high places--maybe even spaz out and claw up the furniture--and do pretty much anything to get that feeling back. It's that cool and special.

Times are changing...



So let's assume you're going to be published, and that once you are, you're going to be a junky who'd  shank your Gran-Gran for another fix. (Sorry, I've been watching a lot of Breaking Bad lately ... apologies to Gran-Gran.)

Now, this isn't one of those, "YOU NEED TO WRITE A BOOK A WEEK AND BECOME THE PUBLISHING EQUIVALENT OF A PUPPY MILL!" kinds of posts. No, you won't find me suggesting anything but putting your best, most thoughtful work out as consistently as you can.

But here's the somewhat scary reality of what I'm seeing out there in the trenches (i.e., Goodreads and book blogs): Readers are becoming very impatient. They don't necessarily care about the things authors have to care about--like the staggering amount of time it takes to write a good story, the expense of editing and promotion, the publishing house's release schedule, yada-yada-yada. 

They want content, and they aren't really compelled to wait for it. 

Digital distribution has fundamentally changed the game for all of the consumable arts--music, movies, visual art, and books. Bands are going back to the EP and singles model, because it allows them to provide a steady stream of content without big breaks in between albums. Visual artist aren't waiting to collect a number of pieces to display in an exhibition, but are instead showing their offerings as quickly as they are created on sites like Deviant Art, Pinterest, and the like.

There's also the financial accessibility provided by digital distribution to the creators of the content. You don't need expensive, downtown storefronts to display your art. You don't need the support of a large publisher to find readers. You don't need a million dollars worth of equipment to produce a record or shoot a webisode. 

The proverbial doors have been opened, and thousands of talented people are running through them every day.

Couple the steady stream of content being provided with the sheer volume of what's being created now, and you get a perfect storm of production and consumption. And make no mistake, if you're a creator, it's a storm that will churn you under and leave you drowning in its wake if you aren't a strong swimmer.

In this instance, treading water--staying visible--is going to keep your career alive. 

That's true for every kind of author. Traditionally published folks aren't immune to it--unless you're the Stephen King, James Patterson, and J.K.R. type of traditionally published folk. In fact, it might be more important to traditional authors, because the time between finished story and publication is typically longer for them. The gaps are larger, and not typically within their control.

I don't think this is a revelation to most authors. We all feel the pressure of needing to move onto the next thing. In fact, most of us are already well into the next thing when the current thing is just crowning its head into the world. 

Unfortunately, just like when you're solving for X in Algebra, figuring out what to publish next depends on a number of variables. 

What have you done so far/what's your brand? Is it going to tick off your publisher/agent if you want to self-publish short stories? Is it going to tick off your fans if you delay the next book in your series to write something new? Do you have the momentum of an expensive (in time, money, or both) blog tour that needs to be sustained? Can you financially afford to self-publish (it can get expensive, fast)? If not, can you, or are you willing to, write for a market enough to make traditional publication an option?

All things that can factor into the decision. 

I'm actually at one of those 'NEXT' crossroads myself. I write an ongoing series, that I plan on continuing, but I've come to a natural transition period. I made a goal last year to see the first three Moonsongs books published. I'm on the cusp of doing that. Now I need to make new goals. 

More Moonsongs books are definitely part of those goals. But I've got other projects I want to see get off the ground, too. I'd like to finish this dark-YA-lovestory-thing I've been working on forever. I've got an idea for another New Adult novella series (techno thriller FTW!) I'm so excited about it keeps me up at night. And more...

Anyway, I decided to throw this dilemma of solving for ne-X-t out there, because I think many of you will relate. Maybe you can help me figure it out, or talk me through your process. And as I said above, I do think it's worth some deliberation. 

~EJW~

A Chance to Give AND Receive--Powered by Books

Hey gang! If you're like me, you're always looking for unique ways to give back this time of year, so I wanted to pass this along. Basically, a bunch of YA authors and their publisher are doing a two-day free and/or discounted promotion on their books, and ALL of the profits garnered in that period go to a local Children's Hospital. Plus, they're doing a big Rafflecopter giveaway. It all starts tomorrow, details are below:

***

The Gifts Aren't Only From Santa crew are gearing up for two days of FREE and discounted books for charity!
Join us for the Facebook fun on the 14th!
That's right. December 14th and December 15th, treat yourself to a buffet of ebook joy by visiting Amazon and downloading FREE ebooks or heavily discounted ebooks where 100% of the proceeds go to a local Children's Hospital. How cool is that to be a giver and a receiver all at one time?!?!

On top of that, there's a fun Facebook event scheduled for December 14th with cool games and prizes to win. Go here for details.

Want to get a heads up on the great novels coming up for FREE or discounted? Go here to peruse the titles. Just make sure you don't drool on the keyboard. You'll need it for the December 14th Facebook fun.

"What if I don't have a kindle?" you ask. Well, that isn't a problem. Got a smartphone (android, blackberry, iPhone), computer (Mac or Windows-based), or a tablet (iPad or android tablet), then you can download a FREE kindle app and take advantage of these great titles being made available to you.

Don't forget to enter to win some great prizes in the rafflecopter as well. Yeah, we're just loving the giving spirit! Make sure to share this with everyone so no one misses out on the fun, prizes and free ebooks galore!

a Rafflecopter giveaway

Trusting the Process

Hey gang! What a wild/fun week I had last week. We went to the Mouse House in Orlando, got up close and personal with Harry Potter, and drank our share of the butterbeer (think sugary cream soda with a SUPER sugary cream topping ... yeah, it's that bad for you, and that awesome).

Enjoying a cold drink in the Hog's Head Tavern- No, that's not butterbeer. ;-)
Anyway, I'm back (physically at least) and ready to make the final push towards the publication of the second Moonsongs book. With a little luck, it'll be out in December. And I'm totally not bragging here, but I'm very excited for people to read it. I think the story is bigger, and in some ways better, than the first. 

Jenny (the mc) is really beginning to stretch her legs as a character. She gets pulled deeper into the supernatural world her tribal ancestors have fought against for so many generations, and learns that not all of the scary things out there want to eat you--some just want you dead. Plus, there are witches, both cool and evil. 

Basically, there's just a lot going on, and I think it'll be a fun ride for folks who enjoy True Blood-esque adventures. I've had a blast crafting it, that's for sure.

TRUSTING THE PROCESS

Photo credit to Lynn Kelley, WANA Commons 
But now it's time for the final polish. That means applying editorial feedback. Some of which is quite straightforward, and pretty painless. Change this word, rearrange that sentence, etc. But some of the changes aren't so easy to execute...

I always try to make sure my stories go into the 'editor' phase as polished as I can make them. That's for two reasons: 1) I don't want to purposefully make my editor take up drinking if they don't already. 2) It translates to less work for me on the other side.

What does sending it in as polished as possible mean for me? Typically 3 drafts pre-beta/critter work overs, and 1 to 2 more post beta/critter. And sometimes, if the beta/critter feedback results in major changes, it might go into another round of beta/critter--and more drafts follow. THEN it goes to the editor. 

Sounds like a lot right? IT IS! But I'm someone who likes to feel confident about something before moving onto the next stage. For me to feel confident in a piece of writing, I need to hear from several different perspectives that I've essentially captured what I set out to do with a particular story. 

These Moonsongs stories are a bit of a different beast, because they're novelettes--which translates to 'longer than a short story, shorter than a novella'. So a big part of my objective is that the plots stay tight, and the pacing zips. I want them to be a movie-like experience. Something you can enjoy in 2-4 hours, and feel that you've been entertained when you finish. 

That's where the editor really pays off. 

Story # 2 has been through multiple critters. While none of them said it was perfect, the feedback was 99% great, and I addressed nearly every quibble the critters had in rewrites prior to sending it off to the editor. 

That's the point where you begin to think--no matter how many times you've been through this process and know better--"I've done it! This is a great story as is." You can't help it. You love your critters. You've read their work, and trust them implicitly. Furthermore, you're really beginning to love the story again. (Trust me, you hate the dang thing at several points during this cycle.) 

Trusting the process is oh so important at this juncture. When those edits come back, and you see the number of things you've missed--or just screwed up--in your 'great story' it feels like starting over in some ways. (But you're totally not!)

You might even be tempted to cross your arms and say, "Bah, readers already like it. Why should I chop out two pages of the opening scene for the sake of pacing?"

The answer is simple: Because you want the story to be everything you dreamt it COULD be. The only chance you have of doing that is making it as tight as possible. That means heeding your editor's advice, listening to your critter complaints, and doing 2 more drafts beyond the last draft you vowed you'd ever do. 

It can be disheartening. It can be fantastic. But it's all part of the process, and that you have to trust.

~EJW~

Don't Get Mad, Get Writing

Credit to Cellar_Door_Films WANA Commons
Hey gang! Hope your weekends were fabutastic. Thanks to everyone who stopped by to wish the winners of my cover contest well! If you missed it, you can check it HERE.

This week, I want to talk about an 18 year old who just signed a six-figure publishing deal (yes, it's a vampire story), but first ...

New Adult Twitter Chat (#NALitChat) Update

Many of you know that I host a weekly Twitter chat, but there are some new folks following this blog so I thought I'd share a quick update...

For the uninitiated, New Adult is a category of literature aimed at the 18-26 year old demographic. The themes and characters tend to fall into that focus as well. Basically, if you're a fan of YA lit, and wondered 'what comes next?', you simply have to come hang with us. We do talk about a range of writing and reading related 'things', not just  New Adult, so I think there's a little bit of something for everyone. (And all are certainly welcome.) 

If you're feeling a bit naughty, this is the month to join in as we're starting our 'Risky Business' series in which we'll be chatting about sex in New Adult lit, taboos in New Adult lit, and much more steamy goodness. All from a writing and reading perspective. To take part in the chat, just jump on the Twitters every Thursday night @ 9 PM EST and use the #NALitChat hashtag in your Tweets.

For more info on the chat, check out the NA Lit Chat blog, complete with fancy calendar, HERE.

This Week's Good News!

Speaking of steamy, check the cover for this fabulous upcoming New Adult release!


I think my author-pal Carrie Butler is going to set the reading world (as well as a few eyeballs...) on fire when Strength debuts next March! Don't believe me? Check this epic blurb:

"When college student Rena Collins finds herself nose-to-chest with the campus outcast, her rumor-laced notions are shattered. Handsome, considerate, and seemingly sane, Wallace Blake doesn’t look like he spends his nights alone, screaming and banging on the walls of his dorm room. Hell, he doesn’t look like he spends his nights alone, period.

Too curious for her own good, Rena vows to uncover the truth behind Wallace’s madman reputation—and how two seconds of contact had left her with bruises. Of course, there are a few minor setbacks along the way: guilt, admiration, feelings of the warm and fuzzy variety…

Not to mention the unwanted attention of Wallace's powerful, supernaturally-gifted family.

They’re a bloodline divided by opposing ideals, two soon-to-be warring factions that live in secret among us. When Rena ends up caught in their crossfire, Wallace has no choice but to save her by using his powers. Now they’re really in trouble. With war on the horizon and Rena’s life in the balance, he needs to put some distance between them. But Rena won’t let go. If fighting is what it takes to prove her own strength and keep Wallace in her life, then that’s what she’ll do—even if it means risking a whole lot more than her heart."

Epic, right? You'll want to stalk Carrie to stay up on the Strength release shenanigans I'm sure she has planned, and you can find all of the details HERE.

My own good news! 

So, I somewhat stealthily added my book, Blood Fugue, to Goodreads recently. I did so to allow the folks who have received arcs to be able to review it in advance of release (later this month), and planned to officially announce that it was up when I posted about the epic launch blogfest I'm planning (in the coming days).

Well, I got my first review and decided to break out the announcement early. Why? Because the review was awesome! lol Super-duper-awesome author-blogger Eve (aka - The Desert Rocks), and recipient of a Blood Fugue arc, gave it five stars! You can read her full review HERE, and be sure to give her blog a follow. She's an absolute blast, and now on my holiday shopping list. :-)

Also, if you'd like to add Blood Fugue to your Goodreads list (and jockey for position on my holiday shopping list), you can check out the official listing HERE.

Don't Get Mad, Get Writing

An author I follow on Facebook posted this article about an 18 year old girl who recently signed a big book deal with a BIG publisher. She didn't share it as good news ...

The author who shared the story is, like 99.9% of published authors, solidly mid-list. Which is to say she has had to scrap for every ounce of respect, every smidgen of publicity, and every last cent given to her by the book publishing world. She works her tail off, and hopes each book she puts out moves enough copies to get her next story published, much less six-figures. As I said, that's life for most authors. 

I LOVE her books, by the way. They are unique, and beautiful--truly nothing else quite like them. That I've read, at least.

And I'll say this: Indignation over a fledgling adult, much less author, having an agent FIND HER, and getting a big contract for writing ANOTHER Twilight-inspired spinoff is certainly understandable, and probably justified. It's hard to process how one person can bust their ass for years--trying to get an agent, trying to write something good, trying to write something marketable, etc.--and not achieve the success of a first-time teenage author.

However, there is something the young woman in the article got right that I think many established (and otherwise) authors aren't figuring out: she wrote stories, and she shared them. From the age of 15, she was uploading chapters to various social writing sites. She eventually got enough exposure that an agent took notice. 

Now, I don't think I need to write another 'publishing has changed' post today. I think what I need to tell you is this: If people aren't reading your words, it's your fault

Go ahead, get pissed at me. Throw stuff. Quit following me... on second thought, let's not be hasty. You can stomp your foot, maybe even curse me under your breath, but you should keep following. I'll say something you'll like soon enough.

So if it's your fault, how can you fix it? Simple!

- You need an idea for a story. 

- You need to learn how to write. 

- You need to get better at writing. 

- And you need to be willing to put it out there.

These steps apply to EVERYONE. You want to go the traditional route with an agent, etc.? Great! Start getting your work out there. You want to be independent and do your own thing? Great! Start getting your work out there.

The lesson is this: There isn't an established author-process anymore, other than writing something awesome and fighting like hell to get it in front of readers.

A couple of suggestions, if I may. 1) If your goal is to get a novel represented by a literary agent, and one day see your book in a real book store, write other stuff on the side and put it out there. 2) If you aren't sure what publishing direction you want to go in, write a bunch of stuff, and put some of it out there.

Note: This isn't me advocating throwing poop on the wall to see what sticks. Your dry runs are best kept in house, even now. You put out something before it's ready--before you're ready--and the cold Web-world will strike you down with a fiery vengeance. Besides, you owe it to your readers to be the best you can be, at whatever stage.

I'm simply advocating action. As silly as it sounds, the modern writer must write! We are in a content driven age. People want to read about everything, and they want to read about it now. That's truth.  

So the next time you read about some 'instant' publishing success story--or other affront to how you believe things are supposed to work--don't get mad, get writing.

~EJW~


For The Believers

Watch until the end ...



now go write something. :)


~EJW~

Book Pricing - How Do You Feel?

Hey gang! Thank you to everyone who offered up comments on Wednesday's author interview with Alyson Burdette


(MASSIVE APOLOGY TO ALYSON - Just realized I'd misspelled her name in the title of the post. Copy/paste cut off the last two letters of her name, and I seriously can't apologize enough!) 


I know it means a ton to her, and frankly I think it's (supporting authors) one of the most important things we can do. 


In the digital age, it's far too easy for authors to get swept away in the tsunami of content that hits the Web every second. Word of mouth has always been, and will continue to be, the best way to sell books. 


So the next time a friend on Facebook asks for a book recommendation (I see at least three a week on my personal Facebook feed), I hope you'll consider offering up a new author/name instead of (or along with) James Patterson, Steve King, Steph Meyer, etc.





Speaking of the digital age, I kept thinking the kerfuffle over e-book price fixing would die down. I was wrong. 


It's only building steam as publishers, agents, authors--well, everyone really--are beginning to take sides.


Seriously, this is shaping up to be a veritable Holy War within the world of publishing. We've had skirmishes before. Border disputes, if you will. But this could be the BIG ONE.




Why? Reading between the lines, I'm guessing this is one last big stab at keeping the book industry at least partially anchored in the traditional system. A system in which a few large publishers are responsible for the majority of the content and profit generated by the book industry.

Look, I'm not saying it's bad--I leave that kind of opinion to folks who've had direct dealings with all of it. I'm saying it's the way it is. 6 major publishers are responsible for most of the books you see at Barnes & Noble, and virtually all of the books that pop up on traditional bestseller lists. 


Former literary agent, current author and eternal blogger, Nathan Bransford, had this to say on his blog this week: "In the old era, only major publishers had the infrastructure to get books to readers. You had to go through them to reach readers in large numbers." 

He spoke in the past tense for a reason. 

Like an invasive species, Amazon and e-books are taking over the ecosystem. Like with any invasive species, the existing species  must eventually make the decision to fight or assimilate. 

Big publishers and the folks who work for them (authors, agents, etc.) are lacing up their boxing gloves as I type.

Earlier this week, the Association of Authors Representatives (AAR) sent a letter to the U.S. Department of Justice voicing their support of the agency pricing model which lead to the collusion charges levied against the big publishers (among others) linked to above.

Essentially, that means the AAR, its supporting members and the "tens of thousands of authors they represent" are in favor of allowing the major publishing entities the right to force retailers into a uniform pricing model. (To be clear, that doesn't mean the price a retailer has to pay for the rights to distribute--or wholesale price. It means the sticker price the customer pays.) 

Not all of the authors represented by the group are terribly excited about the letter. Seems some of these authors are perfectly happy with Amazon, the company the agency model was aimed at attacking, and the company with the most to gain by a successful DOJ anti-trust suit. CLICK THE PRECEDING LINK TO READ SOME OF THE REASONS. 

Furthermore, it seems not even everyone within the traditional publishing system can agree that anit-Amazon is best for books and readers. Today, traditional-gone-independent author J.A. Konrath shared an anonymous response to the mess courtesy of someone within one of the big publishing houses. YOU CAN READ IT HERE, but to suffice to say their Christmas bonus might be on hold if their name ever gets out.


Sadly, we might have to make a decision between two potential evils: an Amazon monopoly or the exclusivity and high e-book prices of big publishing. 

Which brings me to the question: Do you care? 

As a reader, does it matter to you that the newest Sookie Stackhouse (True Blood) book by Charlaine Harris will cost you $15.15 for a hardcover/paper copy or $14.99 for the e-book?

As an author/writer, would you be okay with getting the same revenue share (or cut) from either purchase, knowing the cost to produce the two on the publishing side aren't remotely similar? (Don't listen to anyone who says otherwise; Amazon doesn't charge XYZ publisher any more than they do you or me to upload a digital book.) As unusual as it sounds, I am afraid they're connected. 

As an author/writer, are you more comfortable with the fate of our industry in the hands of a giant retailer (what Amazon is), or a publishing business that has done nothing but books forever and ever? A publishing industry FULL of people who love books, readers and the folks who write them. 

These questions are not posed lightly, and I've got no answers. Just opinions, which I'll gladly share if you supply the beverages and a comfy chair.

~EJW~


Potter E-books - Magical or Just Muggle Mischief?

Howdy Gang! Not going to lie, life is pretty swell in South Texas this time of year. Not too hot, never cold. Wild flowers seem to cover everything that isn't paved. Lots of rain too, which I couldn't say--well, the entirety of last year really. In fact, if you'd have been here just a few months ago you might be surprised to see anything growing at all. I know most of us locals are.

You see the entire place--I'm talking ALL of Texas, and it's a big dude--was burning up. Literally. In September, Bastrop County caught fire. Less than a one hour drive from my home some 34,000 acres burned, over a 77 square mile area. That's about three times the size of Manhattan Island. Well over 1,500 homes were destroyed. And that was just one (albeit the largest) of our fires last year. There were 27,000+ wild fires reported in the state in 2011. (Not a misprint, that's 27 with a K.)

Drought was to blame. It just didn't rain. None. For months and months and months. Then it got really hot. San Antonio had 57 days of 100 F or over temperatures in 2011 (I think our average is around 9 per year). The combined effect put us on the brink of becoming a burned out desert, and that's no overstatement. 

Now, less than a year later, my yard is green, the bugs are out and my roses are even blooming!


Just goes to show that the world keeps plowing ahead, never looking back. Nature doesn't care what happened last year, just give it some water and you'll see. 

I think Harry Potter author J.K. Rowling is forcing the publishing industry to do the same.

The Harry Potter series is perhaps the most popular book franchise of all time. All told, well over 400 million copies have been sold worldwide. 8.3 million copies of the seventh (and final) book in the series were sold in the first 24 hours of its release (way back in 2007 ... yes, we're that old), making it the fastest selling book of all time. Suffice to say, they're kind of a big deal. (More details can be found here.) 

Fast forward to now...

Electronic books are a big deal and getting bigger by the month. In 2011, the e-book market generated just shy of $2 billion in the U.S., and that's projected to be somewhere north of $5 billion in five years. (More here.) That's just the U.S. mind you. With little provinces like China being relatively new passengers aboard the e-book express, who knows what kind of growth we'll see globally.

It's not a slam on paper publishing, it's just the digitization of the world we live in. It has happened to medical records, music, banking and everything else under the sun. Now it's happening to books. And it has been happening for a while now.

You can tell from our faces that Ron, Harry, Hermione and I think this is serious business.
So why then, is the most beloved book franchise of our time just now getting the digital treatment? Most of that has to do with the author. You see, when J.K. Rowling first published Potter in 1995 (now you feel REALLY old, right?), electronic rights weren't part of the negotiations. Her publisher didn't buy them, just the print (and audio and whatever else was standard for the time). Major oops. Not their fault, but major oops nonetheless.  

Trust me, if Bloomsburry/Scholastic had had the e-rights, we'd have had Kindle versions three years ago. Just too much money to be had. Instead, we waited. More than anything, it seems we had to wait for J.K. to get comfortable with the idea. (And she certainly didn't need the money right away, did she?) 

No, J.K. needed to embrace the idea of e-books. You can read an interview she did in June of last year HERE where she discusses the role of e-books in her life (the beauty of taking 50 books on vacation with no extra luggage, downloading stories on the go for her children, etc.) 

She also had to overcome her fear of piracy. She put on record many times that the idea of people being able to run wild with her property on the Internet was a primary objection to her books being digitized. An irony of sorts, because the Harry Potter books have been a hot item on the digital black market for years. Some have even theorized her reluctance to publish a legitimate digital copy has only exacerbated the issue. 

Lego Harry would use a forbidden curse on pirates. Don't let the smile fool you...
Whatever the case, the wait is over. As of this week, you can now download fully legal copies of all 7 books in all their digital glory for your Kindle, Nook, Kobo--well, anything really. By legal I mean you have to pay for them, of course. 

But the 'why' really isn't the important part. It's more about the 'how'. 

In a move straight out of the playbook titled, Oprah: Seven Ways to Dominate Everything You Touch - Billionaires Only Addition, J.K. created her own gigantic website, refused to sell her books on anything but her website, and essentially squeezed until the retail giants of the world agreed to play with her. Yes, you can go to Amazon and Barnes & Noble to purchase the Potter e-books, but they just route you around to her site.

Did I mention J.K. has the electronic rights and therefore keeps (according to estimates) 70-90% of every dime she makes? No subsidiary. No 15-30% cut for the author. No distributor cut. So when you purchase the $7.99 to $9.99 book (depending upon which book in the series you buy) through her Pottermore site, J.K.'s cash register rings to the tune of $6 - $9. Amazing! 

Can you imagine going to Amazon and saying, "Hey, I want you to advertise my books, but you can't distribute them or otherwise benefit. You just get to put my name up and have a link in your book store." And then imagine Amazon begging you for the opportunity. 

It's called ultimate power, and it's something very few of us will ever get to taste for ourselves outside of deciding if we want fries with our meals.    

But even if we don't wield the power of the Elder Wand, this turn of events holds the potential to change life for all kinds of authors. (Even the non-billionaires types.) I'd wager digital rights conversations between agents and publishers are getting more heated by the minute. 

And as I say, it doesn't just apply to the big dogs. After all, who knows what and how something becomes as popular as Harry Potter. We DO know J.K.'s rags to riches story (my thoughts). We DO know how very few people, in the beginning, thought the books would be successful, even on a small scale. Who's to say you're not next?

It's not just big news for publishers, either. This could be a moment where Amazon and other retailers are put on notice. Maybe they can't make all of the rules going forward, as so many Indie authors and traditional publishers are worried? 

Perhaps this proves that if an author gets big enough, they can hang their own shingle? And make no mistake, it's the big name authors that make the business go round, so when they talk others listen. Furthermore, I'll be surprised if more publishers don't start pushing direct e-book sales as a result of Pottermore. Most of the big publishers despise Amazon anyway, so why not ride J.K.'s coattails into a new era to table turning? 

And we won't even go to the, "if it succeeds" kind of talk. It's Harry Potter. It's going to generate millions PERIOD 

Also, don't be quick to think that no true Indie e-book author will ever be able to pull off that level of fame without the help of a big publisher and big advertising. 

There are John Locke's and Amanda Hocking's out there who've done loads more (already) on their own than anyone thought possible just a couple of years ago. I'm fairly convinced there will be many more millionaire authors who've never published traditionally as we move forward.

My questions for you: Is this a watershed moment in publishing? Or is this just an isolated case, never to be replicated by anyone else? (Mischief managed?) 

Do you think publishing is pretty much the same as it has always been? If it isn't, do you think it can/will return to that point? 

~EJW~