Showing posts with label ebooks. Show all posts
Showing posts with label ebooks. Show all posts

Indie Life - Steps To Indie Publishing - Outsourcing Pt. 3 of 3


Hey, gang! Time for another Indie Life post. What is Indie Life? Essentially, it's a growing list of independent authors and publishing professionals who aim to support each other through the sharing of information and insight.

We do this by posting on the second Wednesday of each month in an organized blog hop. If you think you'd like to take part, click the Indie Life button above.

Today I'm wrapping up my series on the basic steps to getting your book published independently. 

In the first installment, I talked about the 6 essential tasks before you (writing, editing, cover, formatting, distribution, and marketing). 

In the second post, I gave some tips and information on how and why to outsource--or hire out--each of the first three steps. Well, except for writing--if you need a ghostwriter, they're out there, but I honestly have no clue about that.

In this final post, we'll take a look at the final three steps: formatting, distribution, and marketing. So let's get to it!



Step 4 - Formatting

Why you should hire it out - Okay, you've got that manuscript polished to a shiny, chrome-like level. It's time to slap it up on Amazon and watch the downloads stream in!

*slaps mouse out of your hands* Not so fast my friends. In most cases, it's not a simple matter of just using your finished Word document.

Amazon, Barnes & Noble, and the like use specific file types for their e-Readers. You'll need to convert your Word doc to mobi, ePub, and maybe other exotic filetypes for them to get along.

Yes, there are programs that will do it for you, but trust me on this: It isn't a "button press" process. You'll need to understand how those programs work, and you'll need to figure out how to "debug" your Word doc or you'll get sentences that look like this: 

D    og ate the      chicken. Dogloveschicken   !

And none of this speaks to formatting paper books. We'll get more into this in the distribution section, but paperback formatting requires a bit of artistic skill, or at the very least, some design esthetics. 

This isn't as big of an issue for electronic books. eReaders almost always have the ability for the reader to dictate their preferred text size, style, etc. And while you can certainly try to alter the text layout of a paperback by pressing "the buttons" (i.e., with your mind) I'm not sure you're going to get very far.

So the pressure mounts when you format a paperback, because you're pre-determining the reading experience and the reader's preferences for them. NOTE: You can DEFINITELY screw this part up.

When to find a formatter - Is formatting your own book doable? Absolutely! In fact, I know many, many, MANY indie authors who prefer to do this step for themselves. Why? Because once you've got it down, you've got it down. And that translates to saving you money in the long run.

However, it will most likely take hours if not days of your life to get it down. So consider hiring someone to do it for you if you, A) HATE tedious computer work, B) are prone to eyestrain, or C) don't have lots of time to kill.

How much is it going to set you back? Another reason to consider hiring a formatter is that it's probably the cheapest service you can hire out.

For eBook formatting, you can expect to pay between $50 and $300, usually depending upon what you're asking for and the length of the work. 

I say what you're asking for, because certain distributors (like Smashwords) have "special" or premium catalogs that require a few more hoops to jump through. You may have to pay more for those kinds of things.

Another factor is if you have a lot of images within the text. Think of maps for fantasy, graphs for non-fiction, chapter images, etc. That can cost you extra as well.

There are lots of formatters out there who will do eBooks for less than $150. 

For paperback formatting, I'd expect to pay between $150 and $500. You might even pay upwards of $1,000 if your formatter is also manipulating the images for the cover, back jacket, and spine, or if she needs to include a lot of images with in the text.


Considerations - Keep in mind that when you hire a formatter, this probably doesn't mean zero effort on your part. You'll need to inspect the files they send you back. This can take hours. As in, how-long-does-it-take-you-to-read-a-book? kind of hours.

And I HIGHLY recommend you inspect what they send you back closely.

Most formatters will stipulate how many "re-do" attempts you get. Meaning: If you inspect the file and aren't pleased with something, you can send it back to them for corrections. 

Furthermore, formatters will not proofread your manuscript for you, so if you have typos, they'll most likely go into the final version of the book. Fixing them might require re-formatting, and that WILL require more $$$ on your part if you aren't doing it yourself.


Resources - Smashwords has a handy resource for finding independent publishing professionals called Mark's List. It's particularly useful, because Smashwords does attempt to keep it up to date and vetted. You'll find lots of book formatters there. 

Also, be sure to ask your author friends, particularly if you've read their book and thought it looked nice. They might do their own formatting and be willing to help you do yours for not-much-money. 


Bottom Line - Okay, here's where I do a little hedging on you. Finding a good formatter is tricky. And I've found out the hard way that a large part of formatting is trial and error--and that costs you when you're hiring it out. 

In my one and only experience with working with a formatter, I spent more time going over their work than it would've taken me to learn how to do it myself. And it still wasn't great!

I suspect this is why so many indies decide to do it themselves. Unless you know (trust) the person doing your formatting, you're likely rolling the dice.

Unfortunately, it would take another entire post to get into how to do it yourself. So I'll leave you with this excellent overview I read recently, courtesy of our blogging author friends, M Pax and Michael Pierce

So my REAL bottom line is this: If this is going to be your one and only book to publish (at least as far as you know), spend some real money on hiring as professional a formatter as you can find. (Proof is often in the website I've found--if it's a mess, they probably don't have the eye for detail formatting requires.)

However, if you're in this indie game for the long haul and are going to publish several things a year, invest your energy and time in learning how to do it yourself.

Step 5 - Distribution

Why you should hire it out - It doesn't take Donald Trump to figure out that you want your book in as many retailers as possible. And there are more book slingers out there than you might think.

Amazon, KOBO, Sony, Smashwords, Barnes & Noble, Diesle--just to name a few. And that doesn't include the vast numbers of paper book peddlers (libraries, bookstores, etc.) If you're doing this on your own, it can take a staggering amount of time to get your book in their hands, on their terms.

Distributors take care of that for you. They'll make sure your book is ready for purchase on Apple iBooks and you won't even have to lift a finger--well, other than giving them your manuscript. 

When to find a distributor - If you're only willing or able to get your book uploaded to one or two sites on your own, you might want to consider working with a distributor. 

Also, if paper books are a big part of your plan, you'll want a distributor.  

How much is it going to set you back? This is tricky. There are different types of distributors, and each goes about getting their pound of flesh a little differently. 

Smashwords offers--alongside digital publishing on their site, which is different than being a distributor of your book--a distribution program. Basically, if you meet their premium catalog requirements, they'll get your eBook up on iBooks, Sony Bookstore, and more. In most cases, it's a 60 (author)/ 40 (Smashwords and partners) per-book-split on titles priced .99 and higher.

Then, there are services like BookBaby, who offer a buffet-style approach to book publishing and distribution. (You can literally have them do everything except the writing and marketing.) They have a one price model: You pay upfront for whatever types of services you want, (starting at $99) and keep the rest of your earnings--minus an annual $19 service fee, of course. In exchange, they make sure your book gets to a bunch of retailers. (BookBaby also does print distribution, so again, you can have them do everything.)

Lastly, there are paper book channels to think about. Amazon offers CreateSpace, which is different than Kindle Direct Publishing in that it does distribute your book (if you so choose) to sources other than Amazon. 

It's free upfront if you design the layout of the book materials and upload the files yourself. Or, you can have them design your paper book for a fee. Then, they'll send it to wherever you specify for a royalty fee per book sold (you'll get to keep about 30% of whatever the title is selling for). They'll also charge you for every paper book you order, but it's heavily discounted from the sticker price the consumer sees. 

Another popular distributor is Lightning Source. You send them a file or print book for them to scan into their system, then they'll get your book out to the various distribution channels. Unlike CreateSpace, they do offer services other than POD (print on demand... think: the difference between creating each book as it is ordered Vs creating a print run with several volumes).



Considerations - They all have different terms, so make sure you familiarize yourself with them. In every case, you're going to be sharing your hard-earned book earnings with these people for a long while, so do some homework, and use the best service for you. 


Resources - This is a reoccurring theme here, and it's very telling of why we do this Indie Life thing--ask your author friends! Listen to their experiences using different distribution options, and try to find people who are shooting for something similar in terms of what you want for your book. 

CreateSpace might just be the perfect, hassle-free option you're looking for if most of your marketing time is going to be spent online. However, if you want to get your book in as many indie bookstores and libraries as possible, there might be better options.

I'd also recommend talking with the people at those bookstores and libraries who are responsible for ordering books directly. They'll let you know who is easiest for them to work with, which is important if that's where you want your book to be sold.


Bottom Line - This is the sink or swim point for many authors, and lots of them just go with the first distributor whose terms they can actually understand and meet. I'd encourage you to really talk to other independent authors and at least try to make an educated guess based upon what YOUR goals for YOUR book are. 

Step 6 - Marketing

Why you should hire it out - You've got the Facebook and are on the Twitters, what more do you need to be able to let the world know your baby is kicking and screaming in a store near them?

More, like, lots more. Marketing goes beyond a blog tour. It goes beyond a thriving Twitter account and a great book. There are many layers to creating awareness of you and your work, and the time you can sink into it is quite literally infinite. 

So, if you want to spend more of your time writing, and less of it typing Facebook updates, and your idea of branding is running around and zapping people with a hot iron, it might be time to hire it out.

When to get help with marketing - The marketing gurus out there (see - not me) will tell you that marketing for your book begins long before the book is even finished. 

You'll create a brand--an identity--for you as an author and a person by being present on social media and other public outlets. It's through the (hopefully) rose-hughed lenses of that brand that readers will begin to see you. 

You can most certainly do this organically just by being yourself on your blogs, etc. Talk about the things you like to read, watch, and listen to. Talk about your work generically and preferably not ad nauseam. Support other writers/authors, and so on.

However, this takes a LOT of time (usually years) and persistence before it builds into anything quantifiable in terms of 'presence'.

And maybe you've been writing in secret and, like a cat hiding in a box, are just waiting for the right time to jump out at us. If so, you'll need some help with getting noticed right away.

Or, perhaps you're really good at a couple of things (like blogging and Facebook), but you're really non-existant on other major platforms like Twitter. It might be a good idea to get some help to better cover your bases.

How much is it going to set you back? Again, your mileage may vary here. Do you just want a blog tour to help with your latest release? That'll be in the $100 - $300 range depending upon how long the tour goes and what the tour planner is expected to do. 

If you just need someone to build you a website, that will cost from the low hundreds to the thousands depending upon the fanciness you desire and the amount of time it takes a designer to build it. (And don't forget the hosting fees, which are usually nominal, but can add up over time. This is why a lot of authors default to using free blogs, etc.)

But maybe you need the whole "PR team" treatment. Someone to create your brand, teach you how to tweet, set up interviews, help you build that website, etc. That will set you back hundreds or, more probably, thousands of dollars. 



Considerations - Most of us will be willing and able to take on some of the marketing burden ourselves. So the decision then becomes more of identifying what you suck at, what you dislike doing, and what you're unwilling to invest your time into doing.

If you have some web design chops, consider building your own website through free sites like Weebly. It's pretty user friendly, and you can get a polished site up relatively quickly. Plus, it'll save you big time $$$. 

If you enjoy blogging and have a large following, you might be able to do your own blog tours. You might also find the time you spend organizing and carrying them out to be not agonizing (I refuse to call it enjoyable...).

But be honest about what you can do to a quasi-professional level Vs what you'll just be dabbling at. As the saying goes, you get one shot at making a good first impression, so make it count.


Resources - I mentioned Weebly above as a resource for building a website. 

Here's a good article with a big picture look at the keys to a successful virtual book tour. Here's a somewhat recent breakdown/comparison of some popular blog tour companies and their service/fee structure. 

Here's a list of 7 essential online book marketing tips I found useful.



Bottom Line - Again, I can't emphasize word of mouth enough. Talk to other writers you respect and trust before forking over your money. I found my blog tour planner that way, and I haven't regretted that expenditure for a second. 

Also, don't let me give you the impression that blog tours and website are all that goes into marketing. For big picture idea, check out this list of 10 winning marketing strategies.

***

Well, that's it! (I think... *phew*) I know this was a long post and series, but I'm hoping others will find it useful. I've intentionally tried to make it broad and "plain speak" to allow readers to wade into the world indie publishing as opposed to being thrown in headfirst. This was not intended to be an immersive guide to self-publishing.

(There are lots of people out there who know way more about it than I do. But I can tell you from the perspective of an everyday Joe, which is what I attempted to do.)

As I mentioned from the outset, quality matters. It's so very important to your longterm success and goals as an author to do these steps the best that you can each and every time. The worst possible outcome is for someone to not read your words because you've neglected a few simple details. 

Below is the link list I offered previously. If you provide some of the services I've covered in this series (cover design, formatting, etc.), please add your information below and I'll keep it posted on this blog.

~EJW~


Potter E-books - Magical or Just Muggle Mischief?

Howdy Gang! Not going to lie, life is pretty swell in South Texas this time of year. Not too hot, never cold. Wild flowers seem to cover everything that isn't paved. Lots of rain too, which I couldn't say--well, the entirety of last year really. In fact, if you'd have been here just a few months ago you might be surprised to see anything growing at all. I know most of us locals are.

You see the entire place--I'm talking ALL of Texas, and it's a big dude--was burning up. Literally. In September, Bastrop County caught fire. Less than a one hour drive from my home some 34,000 acres burned, over a 77 square mile area. That's about three times the size of Manhattan Island. Well over 1,500 homes were destroyed. And that was just one (albeit the largest) of our fires last year. There were 27,000+ wild fires reported in the state in 2011. (Not a misprint, that's 27 with a K.)

Drought was to blame. It just didn't rain. None. For months and months and months. Then it got really hot. San Antonio had 57 days of 100 F or over temperatures in 2011 (I think our average is around 9 per year). The combined effect put us on the brink of becoming a burned out desert, and that's no overstatement. 

Now, less than a year later, my yard is green, the bugs are out and my roses are even blooming!


Just goes to show that the world keeps plowing ahead, never looking back. Nature doesn't care what happened last year, just give it some water and you'll see. 

I think Harry Potter author J.K. Rowling is forcing the publishing industry to do the same.

The Harry Potter series is perhaps the most popular book franchise of all time. All told, well over 400 million copies have been sold worldwide. 8.3 million copies of the seventh (and final) book in the series were sold in the first 24 hours of its release (way back in 2007 ... yes, we're that old), making it the fastest selling book of all time. Suffice to say, they're kind of a big deal. (More details can be found here.) 

Fast forward to now...

Electronic books are a big deal and getting bigger by the month. In 2011, the e-book market generated just shy of $2 billion in the U.S., and that's projected to be somewhere north of $5 billion in five years. (More here.) That's just the U.S. mind you. With little provinces like China being relatively new passengers aboard the e-book express, who knows what kind of growth we'll see globally.

It's not a slam on paper publishing, it's just the digitization of the world we live in. It has happened to medical records, music, banking and everything else under the sun. Now it's happening to books. And it has been happening for a while now.

You can tell from our faces that Ron, Harry, Hermione and I think this is serious business.
So why then, is the most beloved book franchise of our time just now getting the digital treatment? Most of that has to do with the author. You see, when J.K. Rowling first published Potter in 1995 (now you feel REALLY old, right?), electronic rights weren't part of the negotiations. Her publisher didn't buy them, just the print (and audio and whatever else was standard for the time). Major oops. Not their fault, but major oops nonetheless.  

Trust me, if Bloomsburry/Scholastic had had the e-rights, we'd have had Kindle versions three years ago. Just too much money to be had. Instead, we waited. More than anything, it seems we had to wait for J.K. to get comfortable with the idea. (And she certainly didn't need the money right away, did she?) 

No, J.K. needed to embrace the idea of e-books. You can read an interview she did in June of last year HERE where she discusses the role of e-books in her life (the beauty of taking 50 books on vacation with no extra luggage, downloading stories on the go for her children, etc.) 

She also had to overcome her fear of piracy. She put on record many times that the idea of people being able to run wild with her property on the Internet was a primary objection to her books being digitized. An irony of sorts, because the Harry Potter books have been a hot item on the digital black market for years. Some have even theorized her reluctance to publish a legitimate digital copy has only exacerbated the issue. 

Lego Harry would use a forbidden curse on pirates. Don't let the smile fool you...
Whatever the case, the wait is over. As of this week, you can now download fully legal copies of all 7 books in all their digital glory for your Kindle, Nook, Kobo--well, anything really. By legal I mean you have to pay for them, of course. 

But the 'why' really isn't the important part. It's more about the 'how'. 

In a move straight out of the playbook titled, Oprah: Seven Ways to Dominate Everything You Touch - Billionaires Only Addition, J.K. created her own gigantic website, refused to sell her books on anything but her website, and essentially squeezed until the retail giants of the world agreed to play with her. Yes, you can go to Amazon and Barnes & Noble to purchase the Potter e-books, but they just route you around to her site.

Did I mention J.K. has the electronic rights and therefore keeps (according to estimates) 70-90% of every dime she makes? No subsidiary. No 15-30% cut for the author. No distributor cut. So when you purchase the $7.99 to $9.99 book (depending upon which book in the series you buy) through her Pottermore site, J.K.'s cash register rings to the tune of $6 - $9. Amazing! 

Can you imagine going to Amazon and saying, "Hey, I want you to advertise my books, but you can't distribute them or otherwise benefit. You just get to put my name up and have a link in your book store." And then imagine Amazon begging you for the opportunity. 

It's called ultimate power, and it's something very few of us will ever get to taste for ourselves outside of deciding if we want fries with our meals.    

But even if we don't wield the power of the Elder Wand, this turn of events holds the potential to change life for all kinds of authors. (Even the non-billionaires types.) I'd wager digital rights conversations between agents and publishers are getting more heated by the minute. 

And as I say, it doesn't just apply to the big dogs. After all, who knows what and how something becomes as popular as Harry Potter. We DO know J.K.'s rags to riches story (my thoughts). We DO know how very few people, in the beginning, thought the books would be successful, even on a small scale. Who's to say you're not next?

It's not just big news for publishers, either. This could be a moment where Amazon and other retailers are put on notice. Maybe they can't make all of the rules going forward, as so many Indie authors and traditional publishers are worried? 

Perhaps this proves that if an author gets big enough, they can hang their own shingle? And make no mistake, it's the big name authors that make the business go round, so when they talk others listen. Furthermore, I'll be surprised if more publishers don't start pushing direct e-book sales as a result of Pottermore. Most of the big publishers despise Amazon anyway, so why not ride J.K.'s coattails into a new era to table turning? 

And we won't even go to the, "if it succeeds" kind of talk. It's Harry Potter. It's going to generate millions PERIOD 

Also, don't be quick to think that no true Indie e-book author will ever be able to pull off that level of fame without the help of a big publisher and big advertising. 

There are John Locke's and Amanda Hocking's out there who've done loads more (already) on their own than anyone thought possible just a couple of years ago. I'm fairly convinced there will be many more millionaire authors who've never published traditionally as we move forward.

My questions for you: Is this a watershed moment in publishing? Or is this just an isolated case, never to be replicated by anyone else? (Mischief managed?) 

Do you think publishing is pretty much the same as it has always been? If it isn't, do you think it can/will return to that point? 

~EJW~








Book Media Reviews & Other Fantastical Fun

Hey gang! I trust your weekends were better than Ryan Seacrest's. (Oscar joke! Don't worry, there aren't any more ... ) Also hope you're well-rested, cause we're going to be running like a squirrel in a cage (that's Texas speak for busy) here on the Open Vein this week.

To kick us off I've decided to revisit an old blog feature that was a lot of fun. Second, we're going to celebrate the book launch of a very special blog-friend. Finally, we'll end the week by tackling some hard questions when I scrutinize authors using social media as an advertising platform. (Yes, I see the irony, and that's the point.)

Hope you'll join me for any and all of it!


Today is the beginning of one of my (and I'm certain many of yours)  favorite author bloggers, Alex J. Cavanaugh, launch week for his newest work CassaFire. Alex is an ultra-dedicated and entertaining blogger, so it's not surprising his books garner similar praise. CassaFire promises sci-fi action and adventure of the highest order and I'm certain it won't let us down.

I'll give you the full skinny tomorrow, but I wanted to bring it to your attention today as it is the launch of the official CATCH FIRE! blog tour. Alex is giving away some really sweet goodies on his blog (including copies of the book, the first book in the series--CassaStar--totebag, mug and more) and I didn't want you to miss an opportunity. AS IF THAT WEREN'T ENOUGH, Alex runs one of THE best blogs out there, so you'll be a winner of outstanding company if nothing else.

Entering is simple: just hop over to his blog and leave a comment for a chance to win. (click CATCH FIRE! above to go to his site and sign up) Again, more CassaFire goodness to come tomorrow...

THE RETURN OF TRAILER TALK--
SORT OF

Way back when I reviewed book trailers on this blog. I called it Trailer Talk, and I had a lot of fun doing it. Not sure why I quit ... 

Anyway, I'm going to start doing them again, but with a few changes. The biggest being that I'm actually going to open it up to all kinds of book-related media. Why? Because times are a changing and, thanks to the myriad of tech-type-devices you can use to read on, people are interacting with books in all kinds of fun ways.

Video, music, maps and pretty much anything under the sun can be used as promotional tools or accessories to the reading experience. So, as authors and readers, I think it's worth examining them all.

Consider this an open call: if you have a trailer, etc. you'd like me to review, shoot me the link. PROVISOS: I don't guarantee a review; I don't take money, cookies, etc. for reviews; I will review it as I see it, so I can't promise I'll say something nice--though I usually do.

On that note, these reviews are intended to reflect the effectiveness of the media as promotional tools or accessories to the books/stories they represent. THEY ARE NOT MY REVIEWS OF THE WORTH OR QUALITY OF THE STORIES THEMSELVES. So if I happen to review the trailer for your book and don't love it, please don't consider it to be a slam of your book or you personally. I'm very aware that some authors make their own media/trailers, and some have absolutely nothing to do with it.

To get us started, I've (of course) selected the trailer for CassaFire

CassaFire by Alex J. Cavanaugh
Category: Book Trailer


What the book is about (via Amazon product description): 

"The Vindicarn War is a distant memory and Byron’s days of piloting Cosbolt fighters are over. He has kept the promise he made to his fallen mentor and friend - to probe space on an exploration vessel. Shuttle work is dull, but it’s a free and solitary existence. The senior officer is content with his life aboard the Rennather.

The detection of alien ruins sends the exploration ship to the distant planet of Tgren. If their scientists can decipher the language, they can unlock the secrets of this device. Is it a key to the Tgren’s civilization or a weapon of unimaginable power? Tensions mount as their new allies are suspicious of the Cassan’s technology and strange mental abilities. 

To complicate matters, the Tgrens are showing signs of mental powers themselves; the strongest of which belongs to a pilot named Athee, a woman whose skills rival Byron’s unique abilities. Forced to train her mind and further develop her flying aptitude, he finds his patience strained. Add a reluctant friendship with a young scientist, and he feels invaded on every level. All Byron wanted was his privacy…"


What I Liked: 

The music! Very punchy and futeristic. Really sets the tone for the entire trailer. The computer animations are awesome-to-stunning, particularly the panning camera that focuses on Byron near the beginning and the finale that takes us from spaceship to book cover. Also really loved how the narration didn't run the entire time. Too many trailers try to tell us everything when the medium is built around the visual. Good authors are masters at showing and not telling, yet it doesn't always get applied to the media. 

What I didn't: 

I like the concept of the flaming CassaFire logo in the beginning, but I wanted it to have more of an impact. The flames were small, and the logo faded probably a little too quickly for my taste. Just a touch more punch would do ... Maybe a big sound effect or drum thump when the title hits and then have it scorch off the screen or something? I've always felt that the one thing a trailer should accomplish is burning the name of the book into the viewer's mind.  

Similarly, I loved the transition scene from narration to action, especially the pause and, "all I wanted was my privacy". Very powerful. However, I didn't feel the words matched the intensity of what we were seeing/hearing on the video. Instead of "all I wanted was my privacy" I expected something like, "all I wanted was to escape my past" or "all I wanted was to find the man who'd haunted me" or something equally cryptic. A minor thing, but it pulled me out of the trailer for a moment to think, "dude, take a nap if you want some alone time; you've got a frigging universe to explore and an alien babe to talk to!" 

Did it worK?

Absolutely. A lot of the digitally animated trailers I've seen are bland and lifeless. Not this one. The environments were lush and beautiful, and the dogfighting ships were exciting. The CassaFire trailer is more akin to watching cutscenes from an excellent video game. I even liked the character models, which is usually the killer. (i.e. making human characters not come off as creepy, puppet-corpse-people with slightly moving lips) I think this is a reference quality trailer for sure. Meaning, if you're looking to make one of your own, watch it and learn. Great job!

What say you? Did you enjoy the trailer? Do you even like book trailers at all? (Some people hate them. That's cool too.)

~EJW~

An Observer's Tale - 10 Things I've Learned About ePublishing


As we race toward 2012, I thought it would be a good time to share my observations on e-Publishing. The publishing world is evolving at lightening pace. A bevy of attractively priced new reading gadgets *cough* KINDLEFIRE *cough* and a huge commercial push promises to make 2012 the year of the eBook.

I keep up with tons of self-published (and otherwise) authors on the Twitter, Facebook, blogs and the like--trying to learn what I can. As such, I thought it would be appropriate for me to regurgitate my knowledge in the form of An Observer's Tale - 10 Things I've Learned About ePublishing  

This is by no means intended to be a comprehensive tutorial on the process, nor should it be taken as gospel. Just my take.

1. eBooks are like so hot right now: 

 This might be the understatement of the decade, but this digital media stuff is a big deal. In the last ten years we've witnessed the digitization of every major form of entertainment from music to movies. Now it's time for written entertainment to share the stage. Some have labeled it a fad, some a revolution. Whatever your take, I think we can all agree that this is now at the very least a movement--a shift--to a new way of "doing" books. Who knows if paper and pixels will be able to coexist, but I'd bet the family farm that the pixels aren't going away.  

 2. Fit and finish don't just apply to car shopping: 

Hop over to your local online monster retailer and browse the eBooks. Do it like you would browsing for cars at the auto dealership. Why? You'll quickly get into the head of the average book shopper, that's why. It's the shiny exterior (i.e. the cover) that draws them in, the awesome stereo and smooth interior (blurb or back jacket verbiage) that gets their imagination going and the salesperson (reviews) that seal the deal. In an increasingly cluttered book market, presentation makes the difference. 

 3. It's a slow burn, baby:


That tune doesn't apply to ePublishing. There are no golden tickets. Much like in traditional publishing, there is a constant effort to figure out the purchasing habits of fickle readers.  eAuthors are scrambling to try to figure out how Amanda Hocking, John Locke, etc., etc. managed to become Kindle millionaires seemingly overnight. 

I follow both of the afore mentioned authors on Twitter and blogs (One of them follows me, but I'm not namedropping or anything... OK, it's JL and I nearly blew a gasket when I saw his name pop up as a new Twitter follower! Name. Dropped.) and I can tell you neither of them truly claims to know exactly how it all happened. One thing both say: it took some time and they worked hard to promote their stuff. They didn't instantly sell 10,000 books a month. Word of mouth had to build. The Interwebs had to weave its magic. Just like in traditional publishing, expect to have to pay your own dues before you get much payment in return.  

4. Skinning cats and publishing electronically have a lot in common:

There are many, many ways to get a book published electronically, and many more yet to come. 

Total DIY: You can study Kindle/Apple/Barnes & Noble/WhatHaveYou and learn to format and upload yourself. You can get free pictures online and create your own covers with free photo editing software. It's not rocket science, but it's also not without frustration. If budget is a concern, you can definitely do it on your own. Knowing your limits is important, however...

Hire out some of it: Don't have an artistic eye? Cool. There are oodles of folks online that will design a good cover for you. Got a great cover, but don't care to format? Cool. Lots of folks out there will format your book so it reads nice and pretty on the nook, iPad, Kindle, Kobo reader things. See # 2 if you're not sure why it matters.

Hire out all of it: Specialty ePublishing companies are ALL freaking over the place. Go to any online writing community and you'll see their ads. Hangout in the writing dens of Twitter and you'll get a half-dozen follows a day from someone offering to publish your book for a fee. (That and maybe a few unwholesome offers, but I digress ...) Heck, some of them even promote your book in various places. Prices vary. Quality varies. Choose wisely.

5. One is fun, but 8 is great:

Only got one great story in you? I'm sorry to inform you that self-publishing isn't going to pay your next electric bill. Nor will it likely pay any electric bill. Ever. Here's the thing, just like in traditional publishing you have to build a readership in the eWorld. That typically doesn't happen with one great book. It takes several. It takes building a reputation. 

eReading is like any other electronic media thing, which is to say it's about consumption. Unlike Sam the Business Man who buys one non-fiction book every year at the airport to read on layovers, the owner of that Kindle plans on getting her money's worth. When she finishes one book, she's going to immediately jump into another. If you only have one book in the store, she can't buy your next. It's science--or math--or something. 

The best anecdote I've read on the subject relates virtual shelf space to actual store shelf space. The more space you occupy the better chance someone is going to 'find you' and buy you.    

6. Traditional rules don't necessarily apply...:

Suburban cat vampire fantasy doesn't sell you say? WRONG! There are no hard rules when it comes to ePublishing. All those agents and editors in the traditional world aren't wrong (just aggravating) when they shoot down your 'Hamster Falls In Love' picture book idea. In the paper world there are all kinds of upfront production costs that force the publishing machine to make hard choices about what they invest in. That doesn't exist online. If you want to publish it, you can. If you can connect with the people who are interested in what you've written, you'll probably even sell a few copies. And unlike a paper bookstore, even if you're only moving 6 copies a month it'll stay on Amazon's shelf forever.

Heck people are even publishing poetry again. That should really be all you need to hear to understand that up is now down, and that cats now sleep with the dogs.  

7. Well, except for these:

Don't read 6 and assume everything has changed. These basic principals must be observed for any kind of publishing success:

You must have a great story.

It must be extremely well-written.

It must be gleamingly edited. And edited. And edited. And edited ....

You can never shortchange a reader with a poor product. Readers will drop you like a bad habit, even if your book is only .99 cents. 

8. Merchandising! Merchandising! Merchandising!

I'm not talking about action figures (but that would be AWESOME!); I'm talking about selling your story and yourself. Understand where your story fits in terms of genre. Make sure your cover looks better than those 'other books' that pop up in the product search. Know where your readers hangout online--go to them. Use Twitter, Facebook, etc. to their full potential. Learn and heed the rules of responsible, non-D-Bag marketing. Make friends by promoting other authors more than you promote yourself. Make sure your story is available to every kind of reader for every kind of reading device. Make sure your website, Twitter page, Facebook, etc. say, "I'm a pro, not a schmo." 

Self-publishing means you're now a small business owner. That business will sink or swim based upon your effort and nothing else. 

9. All the cool kids are doing it:

ePublishing isn't just a game for the little guys to dabble in. J.K. 'I could buy your country' Rowling is self-publishing her Harry Potter books electronically. So too are many, many highly successful traditionally published authors. Some are completely abandoning the traditional route, others are simply supplementing their paper efforts, using it as a vehicle to explore things that wouldn't normally fly in the trad-world. Regardless of the reasons, don't assume that your too big or too small to make a go of it. It sure looks like there's room for everyone.

10. No one has THE answer:

There is a lot of advice from super-helpful authors out there. They might tell you to Tweet this way, never pay for XYZ, or never use XYZ font--you get the idea. They're all right to an extent. ePublishing is still very much a baby in the grand scheme of things. As such, each individual experience is a valuable learning tool. However, I've learned you'll find more conflicting answers than definite methods of success. Does this mean you should tune them all out? Absolutely not. Just understand that the path to success seems to be different for just about everyone. 

Keep your ear to the ground and be willing to adjust your expectations and tactics as needed. That should keep you on track at least until next year. :)

~EJW~ 

BTW, big WAY TO GO for all of you who reached your NaNoWriMo goals! I'll buy you the frosty beverage of your choosing should we ever cross paths! :)

.99 Cent Books = Armageddon???

Salutations compadres!  I've been poked and prodded so much in the last week that I'm starting to feel like 'The Catch of the Day' at the local fish market.  That's right, I went to the doctor!  Heck, they even let me run on a treadmill ...

I couldn't help but identify with a lab rat when they started greasing me up and sticking wires all over my chest.  Seriously, an alien autopsy would probably have been less invasive.  A good time it was not.  Maybe that's why my feathers got all ruffled when I thought about today's topic.

I keep reading ... and keep reading ... AND KEEP READING about the scourge of the .99 cent book.  Those of you who are in the ePublishing Circle of Trust will immediately know what I'm talking about.  Those of you outside the Circle might not, so let me catch you up.

(I'm going to simplify a little a lot, but there are lots of little linkable words and phrases if you want to learn more.)

A little while back a small family-run Internet retailer named FREAKING AMAZON--I heard they got their start as shoe cobblers--decided they would let any old author upload their books for free to be sold on their site in electronic fashion.  Amazon, by this point, had officially become the largest retailer of paper books on the planet.  In short: Readers knew Amazon.  Readers trusted Amazon.

Coincidentally, Amazon had also popularized the eReader with their snazzy little device, Kindle.   For the historians out there, they released it in November, 2007 @ $399 US.  I say "popularized", because the Kindle wasn't the first eReader, it just happened to be the first REALLY consumer friendly one in both price and function.  (Yes, they were once MORE expensive than $399.)  Amazon had also become THE place to purchase eBooks--the things you read on an eReader.  Convenient?  I think so.

At the point authors were invited to share their wares on Amazon, eReaders were still relatively niche gadgets.  A little too pricey, and a little too unknown for the common woman or man.  That changed as other companies began to throw their names into the electronic book arena.  Two years after the release of the Kindle, physical book retail giant Branes & Noble released their own reader (Nook) and announced that they too would allow authors to self-publish on their website.  Shortly after B&N, Apple developed their own eBookstore.  All the while, a major Internet eBook retailer named Smashwords was also allowing authors to self-publish.  Even Google got in on the action.  

Fast-forward to Now



eBooks and eReaders are HUGE.  Sales of electronic books are surpassing their paper cousins and that gap is only going to widen with the growing number of popular electronic gadgets capable of functioning as a reader.  As a result, many authors are running to get on board the eTrain.

Economics ... BLECH

An initially unnoticed aspect of authors being able to circumvent the traditional publishing process--you know bleed tears, find an agent, bed-down with a publisher and hope your book made it to the front of the bookstore for a couple of days--and self-publish their work was pricing flexibility.  All of the sites that allowed for DIY publishing also let the author more-or-less set the price of the product (a privilege usually afforded to only publishers).  In the old model, the author's job was to write, not worry about profit margin.  A good thing for many authors who feel as I do about the E word.

So what did authors do when they put on their big boy and girl business undies?  What any entrepreneur would do, of course!  They undercut the poop out of the competition.  Why?  Why does Walmart sell things cheaper than everyone else?  Because they can afford to.  The Indie/DIY author was no different.

eBooks from traditional publishers are more expensive, and here's why.  You're going to pay more for Stephen King and Twilight because the big traditional publishers are corporations with big payrolls.  They have many editors, secretaries, etc., etc. to feed.  They also publish more than one or two books in a year.  That requires coin.  Furthermore, Stephen King and Twilight are responsible for making money for all the lesser-known authors who might not earn back the investment publishers make in them.  Combine that with the cost of making paper books (ya know like ink, shipping, feeding the gnomes who blow on the binding glue to make it dry it faster, etc.), and you've got a formula for mark up.

Here's a pretty solid list of why traditional publishing is 'spensive.   

It's a well known fact that most authors survive off of Saltine Crackers and various canned meat products, and they wouldn't know the difference between a board room and the Bahamas if you showed them a photo.  (I kid, I kid!)   So you see, the idea that an Indie author would be willing to price their baby at a scant .99 cents and think they were making a killing isn't that far fetched.

I'd like to point out that at this point no crimes were committed--by either party--and no animals were harmed during the making of the price war.  Traditional publishers have a right to determine what an acceptable profit is, as do Indie authors.  As with most things, however, the actual decision is going to come down to consumers.

I say tomato, you say I'm destroying an entire industry

There has been A LOT of mudslinging in the transition from paper to electronic publishing ...

Let's pause for a sec to clarify something:  It is a transition.  Not a fad.  Not a phenomenon.  Not a tryst.  This is a lasting change to how we primarily consume a product.  Proof?  I just got my nearly 70 year old dad an eReader for Father's Day on Wednesday of last week.   He told me on the phone this morning that he has already read half a book on it even though he didn't think he'd ever use it.  It seems he really likes being able to enlarge the font.  Now he wants to know how to get some of his favorite old paper books on it!  Call it anecdotal if you want, but for my money when the "old folks" are buying in, the "change" has already come and gone.

Back on task, everyone (including me ... wait for it) has seemingly had an opinion about what has happened to the publishing industry.  Readers, authors, publishers, editors, agents, Wall Street, grandfathers, granddaughters--you name it--have expressed everything from joy to dismay over the first real change to come to the reading medium since we swapped out stone for papyrus.

With those opinions have come accusations and prognostications.  Accusations of wrong doing and right doing in the transition, prognostications of good things and bad things still to come.  I've applauded some, laughed at others and scoffed at most.

The biggest bur to stick under my saddle of late is the scuttlebutt over book pricing.  Former literary agent and current author, Nathan Bransford, posted this poll last week to essentially gauge what the perceived value of a $25 hardback paper book in eBook form is.  He had posted a similar poll last year and the results were compared.  The highly unscientific, yet utterly compelling, findings showed that a year ago 63% of the folks who voted believed an acceptable price for the eBook version of a $25 paper book was greater than $10.  This year, 72% went the opposite direction and said that the eBook version should be priced below $10.  Even as a somewhat random sample that's a pretty big shift.

Nathan isn't the first person to illustrate or surmise that the value of a book is falling.  Consumers are starting to speak up.  THIS EXCELLENT ARTICLE (highly, highly recommended) posted back in March on The Digital Reader noted that of the top 20 bestselling eBooks on Amazon, 9 were priced at $1 or less.  With this evidence in hand a number of people have started predicting a day when all books are free, because no one will be willing to pay for them.  I've also read a number of hostile comments directed toward the authors who are pricing their books in the bargain basement, blaming them for hastening the collapse of the written word's value.

Let's pump the brakes, m'Kay?
Here are my reasonings (told you I had 'em) for why we shouldn't go all 2012 on books just yet:

  • The Entertainer: Entertainment and talent have always carried a price tag.  People will pay to escape.  People will pay to enjoy and whiteness things they cannot, or are not willing to do themselves.  It's why we have sports.  It's why we have Lady Ga Ga.  If you can offer an experience of value, someone will pay for it.  From puppet shows in the street to sold out arenas; if you build it, they will come.
  • A Change Will Do You Good: eBooks are a market in flux.  It is still way too early to nail down the market price.  Case in point: Back in March 9 out of the top 20 Amazon bestsellers were under $1.  As of this evening, only 1 out of the top 20.  A month from now it will probably be 15 out of 20.  Based upon the survey mentioned above, I'm not even sure readers know what an electronic book is worth to them.  While I'm pretty sure it isn't what a paper book is worth, I'm also pretty sure it isn't nothing.  (That's coming from a reader, not a writer.)
  • "I'd Buy That For A Dollar": Worth is highly subjective.  Some people wouldn't pay more than $30 for a meal, but would sell everything they own for a new Harry Potter book.  Others would pay thousands of $$$ for a bottle of wine but not pay anything for digital content they can pirate for free on the Internet.  As such, there will never be "an agreed upon" price for anything.  
  • Look To The Past, Not The Future: The music industry went through a similar shift not all that long ago.  People predicted horrible things when consumers were allowed to download their favorite tracks for .99c instead of being obligated to purchase an entire album for $15.  The same mantra of, "Pretty soon we'll be giving it away!" was shouted then.  (Actually, it is still being shouted by Jon Bon Jovi.  :)   Here's a news release from 2005 explaining how Apple and the Big Record Companies were butting heads over  the issue.  The reality is that the music industry for MUSICIANS and LISTENERS has never been better.   What about the Big Record Companies?  Not so much.  Draw what conclusions you will, but I for one think authors and readers will be fine. 
  • "A Hamburger Today ...": Fastfood restaurants have been waging the price war for years, yet I still have to pay .99c for a hamburger.  Shouldn't it be free already?   If piracy and price cutting were truly the ingredients for "free" I tend to think my next iTunes purchase would be $0 instead of $9.99.  There is a bottom line for everything, and that bottom line will be set by the people who make a living off of the goods and services being provided.  An author won't work for free so long as there are readers who covet their stories.  Why?  Because milk and eggs aren't free.   
At the end of the day I think that authors just need write good stories.  The money and accolades will come if there is justification for it. 

WHAT DO YOU THINK?  Are cheap eBooks going to devalue literature to the point that no one is willing to pay for it?  Are we headed toward a future where authors, like classical composers of old, are hired by private investors to craft stories that will be free to the public?

~EJW~
    

Don't Fear the Reaper - The Book Business is Fine

Howdy, folks! Hope the weekend was good to you, and that the new week is off to a roaring start. A few odds and ins before I get down to business …

First, I'd like to welcome all of the new followers, especially the Blog Crusader folks. I've had so much fun reading all of your blogs, and we're only 1 week into the actual event! Only great things to come, I'm sure. I'll also say 'hey' to the followers who've joined me via Twitter. A couple of weeks into the Twitter experiment, and I'm already glad I did it.

Second, in response to my previous post (Crusade Challenge #1), I'll now reveal my “secret” or lie. E.J. Wesley is a pen name. I can't actually say it isn't my REAL name, because it kind of is—just rearranged a bit. At any rate, I'll say congrats to Jess for guessing it. I hear Sir Holmes is looking for a new Watson, Jess, so you might want to put in your application! :0) Now to the post.

Don't fear the reaper - The book business is fine


Publishing industry news hits fast and hard nowadays. It seems there are daily declarations of drastic sweeping changes to the book business, and I'm not even talking about the prognosticating going on with regards to eBooks. No, most of the news isn't simply bombastic “wolf!” crying. There are hard indications that trouble isn't just a'brewing, it's spilled over onto the stove top and is now making a hell of a mess. Bookstores closing, publishers downsizing, authors struggling with escalating expectations and diminishing support—we've read and heard it all.

Interestingly enough, the latest addition to the bad news pot seems to be the one causing the most stir. The blogs and FaceTweet were alive with outrage and despair over the announcement that mega-bookstore chain, Borders, was declaring bankruptcy. Frankly, I think it jostled so many people because it was the first really tangible indication that change was no longer something to prepare for, but something that would have to be endured. Borders closed enough stores in the initial cut that many people lost their neighborhood bookstore. People they knew lost their jobs. Book clubs lost their hangout spot. Authors lost some longtime supporters of their work. Simply put, it gave a face to the problem.

What's to blame? Lots of things, some of them self-inflicted, some not. As much as anything, I think publishing is a victim of the times. The merciless hunter, also known as the struggling world economy, is taking down the vulnerable businesses in the herd. Only the extremely fit are surviving the culling, and sadly the publishing industry has been limping along for quite some time. It hasn't aged gracefully, and the years of navigating a harsh landscape have left it struggling to keep up with the times. Now it looks like the book business has been singled out from the group, primed for an easy kill.

Before you change the channel to avoid the kiddos seeing the brutality, you should know there might be hope for the 'old buffalo' yet. She's still got some fight in her, if she can only find her focus. 

For writers and readers the news has been bleak; however, I have a theory that may assuage our fears. My theory is simple: At its core, the publishing industry is about reading and writing. All the other 'stuff' that comes along with it—like paper, coffee, electronic gadgets, big dollar advances, and a comfy chair—are extraneous.  If I believe that (which I do, with all of my nerd heart), I can safely say the book business is in great, if a little unsettled, shape.

Books, or more specifically the written words they contain, readers, and authors aren't going anywhere. Ever. It's a form of creative expression, and it's a part of our DNA. Cavemen (and women) doodled on--well, caves--and musical instruments have been found with the earliest civilizations. The human need to communicate, create and express is perhaps only a step below food and shelter on the life scale. We're not losing language (although texting and the Twitter may have something to say about that), so writing and reading are safe.

How we produce and consume the writing, however, is changing. Paper books, no matter how fondly we may perceive them, are a medium. A vehicle, if you will.  First and foremost, they serve a function, and that function is to disseminate an idea or story with words. They used to write on stone tablets. The medium evolved. It's evolving again, simple as that.   


Hey Barnes & Noble, I think we're going to need more cowbell ...

Are bookstores doomed? Possibly. If they can't figure out a way to facilitate reading and writing by offering something other than paper books, sadly they may have to go away. (Incidentally, publishers are at a similar crossroads.) Businesses involved with the industry must examine how they can support readers and authors. That's it. If you can add to the experience, fine, but make damn sure you're handling the prime directive as best as it can be handled. 

Again, strip it all down to reading and writing and I believe the problem will self-correct. In the end, authors will write and readers will read. If you can let go of the other 'stuff', I think you'll sleep well tonight.

~EJW~

FAB-FIVE FRIDAY: AND LEBRON SIGNS WITH ...

TEAM JACOB!!!!!!!!!!



I'm sure I just gave a Twihard a heart attack, but I couldn't resist ...

NOW, THE TOP 5 WRITING RELATED WEB-FINDS OF THE WEEK!




5. YOU DON'T WANT TO ASPIRE TO BE INSTANTLY MEGA-HUGE-FAMOUS. REALLY.


YA author Cynthia Smith has a great blog.  She regularly interviews literary agents who represent YA/MG/Young Readers, etc., because, well, that's what Cynthia writes.  In a recent superb interview she asked agent  Mary Kole (Andrea Brown Agency) to give some 'model' books/authors for prospective clients to study.

What made yet another agent interview top 5 worthy? Mary's response to said question: she recommends that authors aspire not to be the next runaway success (ala Stephanie Meyer), but rather set their sights on slowly building a career via word-of-mouth, etc..

EJ THINKS - Every aspiring author has dreamed of instant superstardom, but the reality of how few authors ever achieve that is pretty sobering.  Mary's advice of securing a reasonable first advance so an author has the opportunity to meet/exceed the expectations of their publisher is solid gold.  Many a writer has had their careers flame out after poor sales on an overly invested-in first book.  I don't know about the rest of you, but I want to write until I quit kicking, massive success or no.

4. TOMORROW IS SOOOOO LAST WEEK

Literary agent Rachelle Gardner makes frequent appearances on the FAB-FIVE for good reason: she's usually talking about things we (as writers) need to be paying attention to.  A recent post about her feelings on market trends (to vampire or not to vampire, is that your question?) was particularly enlightening.

EJ PONDERS - If an agent says she doesn't get overly concerned about trends in publishing, and there isn't an author around to hear it, would it still make a sound?

3. WRITING IS HARD.  YOU CAN QUOTE ME ON THAT.

Fellow bloggist Jaydee Morgan posted her favorite writing related quotes this past week.  She's listed some really good ones, so if you need a little inspiration, head over and check them out.  What are your faves?

EJ WOULD LIKE TO POINT OUT - The title of this blog is a nod to my favorite quote.

2.  I'M SENSITIVE, AND I'D LIKE TO STAY THAT WAY

Yep, I just busted out some Jewel ... author TH. Mafi runs a very funny blog (Grab a Pen), but don't be blinded by the funny.  Oh no.  She drops nuggets of writerly info and encouragement like her name was Grimace!  She recently wrote a piece that talks about how sensitive we writer types can be, and how important it is to move on from our mistakes.  I found it to be very inspiring, think you might as well.

EJ SAYS - There's no crying in baseball, but there's plenty in the arts.  Anguish and fear are often the fuel for great art, but like any aid, it can cripple if it becomes too important, consuming, and/or overwhelming.

1. eREADERS = APOCALYPSE

Love my Nook reader.  I've got dozens of books on it, and they go where I go.  I can read with one hand tied behind my head, get new books without leaving my house, etc.

Not everyone feels the same eReaders and THE FUTURE OF PUBLISHING.  Jessica over at the Bookends agency blog address just this in a recent post.  An interesting debate amongst the readers of the blog ensued with some of the following questions popping up:

Are electronic books/readers truly greener than paper books?

If the future home has fewer physical books on hand, will children still find it easy to find something to read?

Will eBooks be the end of the social aspect of reading?  (You know, when you're at the airport and the person next to you strikes up a conversation about the book in your hands, kind of thing.)

EJ SAID - I like to compare it to what's happened to music. Digital is by far the most consumed medium for music. However, there are still folks who prefer the sound quality of the old 45s. There are niche stores in every major city that still cater to those people, and new albums are still released on those formats on a limited scale. It's basically an expensive hobby.

Books will be much the same way; only collectors will have the resources to seek out paper books. If the new hardback you covet is going to set you back $50 and 40 mile round-trip, which it may in 10 years, how likely are you to buy it over a $5 digital copy? How important is smelling, tasting, etc. a real book to you? For many, it won't even be an option.

For everyone that fears reading is going to somehow die due to a lack of physical books in the home, relax. If television, video games, and texting haven't killed the art of reading for fun (I work with middle schoolers, they still read believe it or not), nothing will.

Everyone I know has a Facebook, Twitter, Blog, etc. so sharing your thoughts on literature is already easier to do electronically than it is in person.  As for the green aspect, there is no question that electronic reading will be/is better for the environment in the long run.  Fewer paper books means fewer trees destroyed, fewer things being shipped (see fuel consumption), less warehousing (electricity, etc.), fewer trips to bookstores/libraries, on and on.  Yes, eReaders are made of plastic, use nasty batteries, and consume electricity and server space.  However, in my mind, it comes down to math:  How many eReaders do you need per person over a lifetime?  Most likely 1-3  How many books per person over a lifetime?

WHAT DO YOU ALL THINK ABOUT THE VARIOUS ISSUES IN THE ELECTRONIC BOOK DEBATE?

Hope everyone has a great weekend!