Ain't she just the prettiest? To say I'm a proud peacock is an understatement. What's the story about? In the words of Emeril, BAM!
***
“Some folks treated the past like an old
friend. The memories warmed them with fondness for what was, and hope for what
was to come. Not me. When I thought of long ago, my insides curdled, and I was
left feeling sour and wasted.”
Jenny Schmidt is a young woman with old heartaches. A small
town Texas girl with big city attitude, she just doesn’t fit in. Not that she
has ever tried.
Life has pummeled her heart into one big, lonely callus. She
has no siblings, both parents were dead by sixteen, and her last grandparent—and
caretaker—was in the ground before she turned twenty-one. She’s the last living
member of her immediate family. Or so she thinks…
“We
found my ‘grandfather’ sitting at his dining room table. An entire scorched pot
of coffee dangled from his shaky hand. His skin was the ashen gray shade of
thunderclouds, not the rich mocha from the photo I’d seen. There were dark blue
circles under each swollen red eye. A halo of white hair skirted his bald head,
a crown of tangles and mats. Corpses had more life in them.”
Suddenly, instead of burying it with the dead, Jenny is
forced to confront the past. Armed only with an ancient family journal, her
rifle, and an Apache tomahawk, she must save her grandfather’s life and embrace
her dangerous heritage. Or be devoured by it.
BLOOD FUGUE, by E.J. Wesley, is the first of the MOONSONGS books, a series of
paranormal-action novelettes. At fewer than 13k words, BLOOD FUGUE is the
perfect snack for adventurous readers who aren’t afraid of stories with bite.
Available via Amazon and most eBook retailers September 2012
***
Meet Vic, cover artist extraordinaire.
ME (EJ) - How'd you get into the illustration and design business?
VIC - I actually don't have very much formal training in art. I took a year and a half in high school and one class in college, but i've studied on my own like a woman obsessed for most of my adult life- devouring texts, watching tutorials, mentally deconstructing pieces I love. For writing, finding the blogging community and Nathan Bransford's (all hail his name!) forums/blog are an invaluable tool. In the visual arts, deviantart.com is just as valuable. There, your work gets criticized and torn-apart and built-up whether you want it to or not. And that kind of feedback... well, that's helped me grow more than anything.
But I was never confident enough in my work until Emily White (a blogging friend) approached me to do her cover art back when she was planning on self-publishing her debut novel ELEMENTAL. Spencer Hill Press ended up snagging ELEMENTAL and keeping the artwork I'd done for that. Then, they asked if I was interested in producing the art for the sequel FAE (which I got to even take the photography for!). Kate Kaynak (the owner of SHP) then asked if I'd be interested in more coverwork.
That's when my hubs told me that maybe I should go into business doing cover art. We went live in ... june ... my memory is crap. And so far i've completed five covers and am working on my sixth. It's a dream come true! :)
ME - Why do book covers? Any favorites or specific inspiration?
VIC - Aw man. Because I love them! Seriously! I love books SOOOOO much. I even try to write (though my craft isn't anywhere near publication ready at this point). But as I've been hanging around online learning about publication, it's become apparent to me how vital cover art is. Not only for sales, but for the author to get the RIGHT sales.
Sales to the customers that will actually enjoy the book. A cover--above all else--should be a visual representation of the story held within the pages. Providing the right image is almost like making a promise to the reader, saying, 'if you like this image, if it intrigues you, you'll like the story it represents.'
I want authors to succeed. I know how much heart and time and work goes into crafting a story. And for that to happen, they have to get their books into the hands of the RIGHT readers. that's my inspiration. Match-making, in a more exciting way than smoochies. Helping readers and stories find each other. :)
ME - Do you specialize in a specific medium? (Photography, pencils, paints, strictly digital, etc.)
VIC - Honestly... ok, it's like this: there is SO MUCH out there in the world to experience, to feel, to do... and i want to try it all. It's kind of my approach to life... in a much more restrained way (because i'm a chicken :P) but in art... there is no danger in trying different things. New mediums... they're like tasting a new flavor of cupcake... delicious! So... not really.
In my heart I would use whatever medium I think would be appropriate for a work. But in actuality, I think there are mediums that I'm more proficient at than others, as well as styles that I'm more comfortable with. Photography and digital manipulation are pretty comfortable to me. And when it comes to traditional art, I feel most comfortable with an ink pen and either watercolors or colored pencils.
Darker, twisty, creepy, goofy styles are more natural for me... but I LOVE trying new things... and I always think my work isn't THAT dark... though the elderly people at this art show I displayed my work in last week were eyeing me in a... ummm... kind of scared way. O.O
ME - What's your design process like?
ME - What's your design process like?
VIC - Ooh! USUALLY, this is the process: I read your manuscript (doesn't need to be finalized). Honestly, I decide if this is something I want my art connected to. (Seriously, you have to be writing something REALLY offensive for me to pass on it...) Then I give you a call and we run through some questions to see how our visions mesh on the story. (Because sometimes authors see their stories CRAZY different than readers.) We discuss design and palette and whatnot. Also, this is when we discuss and arrange for payment.... if you need to make installments of whatever.
Then I work on mock-ups. Usually, I produce from 3-5 different (very) rough designs. Some will probably be illustrated, some with model images I already have on hand and manip and whatnot. Then you look at them and narrow it down to 3 for me to continue with. Also, at this point, if you decide to go with a model on your cover, we will go through casting at this time.
I don't use stock photography, because although it is inexpensive you can't obtain exclusive rights to stock art... this means your cover art could be used on someone else's cover- which leads to all kinds of disgust and confusion for readers. I have a pool of models registered with SGS.
Then I work like crazy and you don't hear from me for a couple to a few weeks. Then I send you the next round of mock-ups and you choose the one design we go with. Then it's a whole lot of back and forth of tweaking and suggestions until we are both happy. Then it's paperwork. Then it's REVEAL TIME!!! whoo hoo!!! (ME - Whoo Hoo!!! indeed.)
The amount of time it takes varies wildly depending on many things, not limited to, but including: how many other projects I have going on at the moment, when your book is going to be coming out, and if I'm having difficulty getting the image just right--because sometimes creativity needs time.
ME - What kinds of projects are your favorites to work on?
ME - What kinds of projects are your favorites to work on?
VIC - As a reader, I LOVE MG, YA, and NA (ME - WOOT FOR NA!). Psychologically, this is an intriguing age-span to me. As far as genre goes, I love sci-fi... not so much militaristic scifi though... fantasy of all kinds, contemporary, horror, humorous characters, adventurous stories, MAGICAL stuff!, CREATURES!!!! OHMYGOODNESS!!! I love critterz soooo much!
I'm a little uncomfortable with romance... because, you know... I don't know why. Just am. But I've done a cover for a romance. Ummm... yeah. When I read a good story, I watch it like a movie in my head. So any story that can take me to that place where I'm all wrapped up and carried away will inspire the heck out of me. :)
ME - How do we find out more about Sketcher Girl Studios and your services?
ME - How do we find out more about Sketcher Girl Studios and your services?
VIC - Linksies? I got them! But first, I want to let anyone who is interested know that I'm not scary. Have any questions at all, and I'm totally happy to help as much as I'm able, don't hesitate to ask. No such thing as a stupid question and all that.
my site: http://sketchergirlstudios.com/
sketcher girl on facebook: https://www.facebook.com/SketcherGirlStudiosLLC
me on facebook: https://www.facebook.com/vic.caswell
my blog: http://viccaswell.blogspot.com/
my email: vic@sketchergirlstudios.com
ME - Oh my goodness, gang! I can't say enough about Vic. Her artistic acumen speaks for itself, so let me tell you about what she's like to work with. She's beyond sweet, super dedicated, incredibly supportive, punctual, original--basically an author's dream cover artist. Seriously, when I did my checklist for cover wants, Vic nailed them all. If you need some cover work, website design, etc. done, do yourself a favor and check her out.
And just to prove I'm not a selfish pig, I'm going to give you a little nudge in Vic's direction...
BLOOD FUGUE COVER PARTY GIVEAWAY
PRIZES
1 Grand Prize: $50 toward the Sketcher Girl service of your choice. (Details provided when you claim your prize.)
2 First Prizes: $10 Amazon Gift Card
Also Rans: I'm giving out an unspecified number of Blood Fugue ARCs to random entrants, just to say thanks for joining in the fun!
How to win: Fill out the Form of Doom below. That's it!
Rules and such: Contest is closed as of Friday August 31, 2012. Family members can't win. Only one entry per person will be allowed. Grand prize: Subject to Sketcher Girl, LLC terms and conditions. If Vic says you're cool, I'll send her $50 and she'll bill you for the balance. You have until December 31, 2012 to claim the Grand prize. First prizes: You'll have 10 days from the time of notification to send me your mailing address. After that, I'll pick a new winner. Also Rans: Follow the rules found within the ARC. Winners of Grand and First prizes will be notified via eMail and posted on this blog Friday, September 7, 2012. I reserve the right to void any entry should I detect shenanigans.
THE FORM OF DOOM
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