Get Moving Monday ... AWWWOOOOOO

Wow! What a weekend … My computer crashed, so I spent the majority of the weekend just trying to get everything back up and running. This post is proof that I’ve managed a small level of success in that department.

However, in spite of all the chaosery, I did manage to get a couple of writing related tasks accomplished.

1) I met with my online critique group Sunday morning to finish up the two part crit of my WIP. The group has been so helpful (you rock the block LB & Julie), and I’m raring to run through the manuscript again with fresh ideas.

2) I met with my ‘live’ critique group Sunday afternoon to discuss chapters 8 & 9 of the aforementioned WIP. During this meeting we got on the subject of the three act story structure. It proved to be a nice refresher, so I thought I’d make it today’s topic.

I always plan a story around the idea of the three act structure, but sometimes it gets lost a bit in the drafting. The idea behind this structure is to provide a simple (yet time tested) approach to telling a story. It’s as basic as it sounds: each story can be viewed in three major sections (beginning, middle, and end) with each section serving some purpose. For the sake of review, I’ll offer the highlights of the concept:


The first act would be used to establish the foundation details of the story such as setting, cast, and plot. The events, problems, and/or goals that set the main character into motion would also be introduced.

POOP + FAN MOMENT (PFM) #1: The first act typically ends with the main character (mc) encountering a significant story related problem/conflict/twist/revelation that sends the story into the second act.


The second act of the story is used to show how the event or problem introduced in Act 1 unfolds as it relates to the setting, cast, etc. This is the hero’s journey, and the place where the bulk of the story telling takes place.

POOP + FAN MOMENT #2: The second act typically ends with a major complication or a rising of the stakes in the mc’s quest. In short, it’s something that will propel the story into the climax/final act.


The final act serves as a resolution to the problems introduced in the first act as well as any other issues that might have cropped up during the second act.

Let’s use the familiar children’s story of Little Red Riding Hood (LRRH) as an example:

Act 1: LRRH’s grandmother has taken ill (the problem), so she decides to take her some food (goal). Unfortunately, Gran lives outside of the village, so LRRH is going to have to travel through the dangerous woods to help her.

PFM #1: Shortly after leaving the village LRRH encounters the wolf. Wolfy doesn’t attack right away (let’s save that!) for fear of getting caught by the villagers and hunters. He decides to stall LRRH by suggesting she pick some flowers for Gran. He then proceeds to try to make it to Gran’s before LRRH. (Where he can presumably bushwhack her in private.)

Act 2: LRRH finally makes it to Gran’s, but finds that grandma has taken a turn for the worse: apparently grandma has sprouted fur, fangs, and taken on a bad case of fleas. Alas! It turns out that it’s actually the wolf dressed as grandma and he has eaten her alive! (Hey, this isn’t the watered down version you tell your kids.)

PFM #2: The wolf catches LRRH and eats her too! This cannot end well, right?

Act 3: A hunter finds Wolfy all fat-bellied and sleepy, and then proceeds to cut him open and save Gran & LRRH (guessing wolf bellies aren’t air tight?) Gran gets better, LRRH is saved = happy ever after.

Three act structures are pretty simple, no? Sadly, I’m finding the application to be a bit trickier than the theory, but I really believe it to be a sound way of telling a story. So my question to y’all: Have you used three act structures in your own stories? If so, to what success? If no, can you fit your story into this structure?

As always, happy writing this week and a funny!


  1. I will leave that up to you and Julie to tell me. I think I have several stories within my larger story, so maybe...

    It makes sense though. And thanks for the shout out. You raise the roof too!

  2. I sort of following the bouncing ball format. I keep heaping problems on my characters until they are all introduced. Next, the problems coalesce into one big problem which becomes worse as they try to solve it. The end comes with the opponents almost winning until the last three (maybe two) chapters.

    Yeah, it's a "three-act" structure but I try to do a bunch of little story arcs to tighten the tension in each chapter. [Someday, if I ever sell anything, I'll tell you if it works.]

  3. @ Laura: Oh, we will judge!!! mmmmha haha ha :)

    @ Kay: I think that bouncing ball came through my wip! I think it's the little things that can play havoc with the formula, but they're also the things that make having some kind of formula important (if that makes sense).

  4. My stories tend to do 3 act all on their onesies! Don't know why, but I'm not complaining. I'm a natural. (Let's ignore all the things that I'm not a natural at. Subplots for example- ignored!)

    Glad to hear your WIP is coming alone.


  5. Banned complain !! Complaining only causes life and mind become more severe. Enjoy the rhythm of the problems faced. No matter ga life, not a problem not learn, so enjoy it :)

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“Much unhappiness has come into the world because of bewilderment and things left unsaid.” ― Fyodor Dostoyevsky

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